THE WINDOW OF HORRORS
By William Drayham
(pseud for H L Mencken, 1880-1956)
THE little shops nestle elegantly
along the bright avenue. The tall
buildings preen themselves in the
sunlight. Their windows glisten and
are like ranks upon ranks of little golden
and silver butterflies. The people
who stroll in the avenue are also quite
elegant. They look idly at the luxurious
automobiles which glide back and
forth down the street. They seem very
happy, as if nothing were wrong with
the world, as if a carefully manicured
and pomaded God were in his boudoir
heaven.
They look at the little shop windows,
these strollers; at the windows in which
such pretty pictures are for sale, in
which bizarre knick-knacks lure the eye.
Sometimes they pause in little polite
clusters to gaze upon jewels which lie
on black velveted surfaces or to
admire the Japanese oddities those
fantastically colored and shaped bird
cages and Mandarin gowns, potteries
and silks which make you dream for
the moment. But always before the
window of the Maison des Robes they
gather most thickly, they pause most
delightedly.
For the window of the Maison des
Robes is entirely the despair of all the
other shop keepers in the avenue. It
is a Paradise of windows. It is a
window of enchantments. It is a fairyland
of chiffons and satins, tulles and
cloths which I cannot name. The
women who stroll in the Avenue sigh
when they pause before it. Here are
other windows which exhibit clothes.
But they are not like the window of the
Maison des Robes.
Here there is something strange,
something which fascinates. It has an
air, just as a Princess has an air.
Even men stop to look into it. They
behold Romance and Mystery and a
loveliness which pales the effulgence of
the sun.
Women behold their dreams herein.
Before them float gowns which are to
their souls as beautiful thoughts are to
the souls of the poets. These gowns are
worn by strange inanimate figures
which stand remarkably silent, in
attitudes so startling, so perfect that men
often feel their hearts beat faster when
they look at them and women always
smile with envy.
It is not as if these things were real
within the window of the Maison des
Robes. They are beyond reality. They
belong in the region of masterpieces, of
things which surpass nature and gladden
the eyes of the world with visions
of the ideal.
The shopkeepers often come to look
upon this window and to study it.
They search the world for and
sometimes find such gowns as Mr. Hugo
Blute manages to discover and place
in his window. They buy of the best
figures and employ the most artistic
drapers and window trimmers. But
even as Reynolds sought to learn the
secrets of Titian by scraping the colors
from the Venetian's canvas, even as
Wilde sought to untangle the tints of
Huysmann, they fail.
You see in their windows only
clothes, merely a conventional beauty
which makes you think of money and
of corsets. But in the window of the
Maison des Robes there are things you
do not see and you search in your mind
for fantasies, you dream of ball rooms
and grottos, and the boulevard seems
to you for the moment like some
elegant and exquisite street in an
Arabian Night.
II
ON the morning of a certain day
early in June the Maison des Robes was
unusually crowded. Usually but a
woman or two was to be seen therein
beside the very polite and pretty clerks.
But this day witnessed twenty-seven
women, all of them young, all of
them possessed of various beauty. They
entered one at a time, surveyed for a
moment the grey walls, the costly
modulated furnishings, and were approached
by a matron with white hair and a
regal step.
Thus one by one they were ushered
through the sumptuous salesroom past
the two great black framed mirrors and
into an office which was at the rear.
The pretty clerks seemed undisturbed
by their advent. They stood in their
places like figures in a stage set for
Maeterlinck. At one side a willowy
black-haired young woman walked
slowly back and forth before the gaze
of two customers who had alighted
from an electric. The elder customer
surveyed the willowy one through a
lorgnette. A girl with her watched
with intent interest the influx of the
twenty-seven.
In the office the twenty-seven found
chairs to sit upon and two long benches.
Only a few were obliged to remain
standing.
They had come in answer to a tiny
advertisement which had appeared in
the columns of the morning newspapers.
The advertisement read:
Wanted Six of the most beautiful young
women in Chicago to work as manikins. No
references required. Foreign girls
preferred. Apply in person to Mr. Hugo Blute,
East Michigan avenue, at 5 p.m., sharp.
The young women who now waited
for Mr. Blute to arrive preserved a
dignified silence and gazed at each
other speculatively. Some were obviously
of the demi monde bold and
artificial Venuses. Some were less
elaborately dressed, but fresher looking
and possessed of a reposeful prettiness.
A few were remarkable-looking,
remarkably featured, with eyes which
glowed with violet fires.
They had been waiting less than ten
minutes when Mr. Blute entered.
There was a hurried shuffling of feet
and a stir of great portent.
Mr. Blute was a Paganini of
shopkeepers a dwarf-like Paganini. He
was a short man with a large head on
which lay a mop of black hair, that
gave him an appearance of incongruous
ferocity. For otherwise he was an
elegantly dressed little man, in an afternoon
coat, carefully tapering and
pressed trousers, pointed black patent
leather shoes and linen quite resplendent.
Yet above this almost doll-like
costume arose Mr. Blute's massive head
and hair. It was apparent that Mr.
Blute gave this part of his person a
great deal of attention. His face was
carefully massaged, his hair was
violently combed. His eyebrows, alas,
were slightly stenciled and the swarthiness
of his skin was relieved by a faint
pink flush of some careful cosmetic.
But despite these things Mr. Blute's
nose remained obtrusiyely large, his
lips obtrusively heavy, his eyes glistening
and in an inexplicable manner,
malignant. His hair remained likewise
moplike. There was something pathetic,
in fact, about Mr. Blute when he
powdered his nose as he did at frequent
intervals, to remove the oily glisten
which lay upon his skin.
He entered his office with the dapper
step of a man who has small feet. He
held a silk hat in his hand and a pair
of yellow gloves in the other, together
with a black lacquer cane.
The twenty-seven who awaited him
eyed him with a kindred emotion. They
were somewhat startled. It was
always this way with people who gazed
upon Mr. Blute for the first time.
There was always something vaguely
startling and dwarfish about the man
until one became inured to him. People
who encountered him suddenly
would often feel an impulse to gasp.
"Good evening, ladies," said Mr.
Blute, in a thin, sweet voice, and
depositing his hat, gloves and cane on top
of a large mahogany desk he sat down
in the swivel chair and surveyed the
twenty-seven beauties his advertisement
had brought together.
After his polite salutation he seemed
to become all business at once.
He eyed his visitors with a general
keenness, as one eyes an ensemble.
He announced:
"You will first fill out these blanks
which I give you and then return them
to me. Come forward one at a time,
please."
With an exaggerated restraint the
twenty-seven obeyed. As they
approached to receive their blanks a queer
light kindled in Mr. Blute's little black
eyes.
The printed matter on the blanks
requested each to state her age, her name,
her address, her birthplace, and to give
what relatives she had in the city, if
any. There was a great scribbling
among the twenty-seven, who had
removed their gloves and revealed an
assortment of beautiful and jeweled
hands.
Mr. Blute appeared to wax
mysteriously excited. He so far forgot
himself as to open a drawer of his desk,
extract a small powder puff and powder
his heavy nose. He also rubbed
his palms together and clucked genially
with his tongue. One by one the
twenty-seven returned the blanks amid
a silence. In this silence Mr. Blute
then studied the blanks for fully twenty
minutes with an expression of intense
absorption on his face. Each one he
read carefully and placed in one of
three divisions.
Finally he called the names of eight
of the young women in the office and
added:
"Those whose names I have called
may go home."
The eight beautiful women whose
names had been pronounced arose
frowning and walked with great
dignity out of the office.
When they had left Mr. Blute
clucked his tongue again and said:
"We can now proceed with more
despatch. Will Miss Margaret
Swinburne step forward, please?"
A tall blonde detached herself and
approached.
Mr. Blute eyed her closely.
"You have no father or mother," he
said, waving one of the blanks before
him. "You are an orphan, yes?"
Miss Swinburne said, "Yes."
"Good," Mr. Blute chuckled.
He looked at her and bade her turn
around.
He studied her features intently and
after the pause announced, somewhat
inanely, as may be seen:
"Excellent. I am devoted to
orphans. I favor them in my shop. I
employ them. I will employ you. Your
duties, you know, will be only to wear
beautiful clothes. Silks and laces. You
understand what a manikin is?"
Miss Swinburne nodded graciously.
"To show my fashionable customers
how beautiful are my clothes," said
Mr. Blute, as if Miss Swinburne hadn't
understood.
An excitement again appeared to
possess him and as if to contain himself
he added abruptly:
"You are accepted, Miss Swinburne.
Will you sit over there?"
In this same peculiar and abrupt
manner Mr. Blute selected the five
others from the group. There were
several whom Mr. Blute dismissed
reluctantly, gazing with glowing eyes
upon their lovely faces and turning
them around and around before him.
"Ah ah " he murmured each
time. "You are what I want what I
desire but unsuited. Too bad."
He shook his massive head sorrowfully,
clucked dismally with his tongue
and waved his hand toward the door.
But on the whole the six whom he had
chosen were among the most remarkable
of the beautiful young women.
When the others had departed Mr.
"What's your name?" Mr. Blute
asked curtly.
"Miss Marlow."
"Miss Marlow," said Mr. Blute,
"you
may go home to your uncle. Now, is
there anyone else?"
The dismissed one hesitated. Mr.
Blute ignored her. The remaining five
then watched Miss Marlow leave the
office and appeared slightly puzzled.
But when she had gone, Mr. Blute
diverted their attention with a violent
laugh.
"Very well," he cried. "Follow
me."
He led his smiling and elated troupe
through the luxurious salesroom to a
large green limousine which waited at
the curb.
It had grown dark. The avenue
glowed in the dusk. Vivid patches of
light gleamed over the pavements.
Clusters of lamps shone gayly down the line
of the curbing. People were still strolling
leisurely, elegantly by. But now
over the avenue was an air of quest, a
spirit of masquerade. The hurrying
cabs and motors perforated the gloom
with their long shafts of light.
"Step in," said Mr. Blute to his troupe.
"The chauffeur will be here directly.
All arrangements have been made."
One by one the five disappeared into
the tonneau. He waited and closed
the door upon them. He exuded a joyous
politeness, laughing aimlessly, bowing
elaborately to the laden tonneau,
returning briskly to his establishment.
Inside Mr. Blute spoke briefly to two
of his pretty clerks who were covering
the stock and fixtures preparatory to
leaving.
"Run along," he ordered, "and play.
Run along, children. Don't waste time.
Time is valuable, very valuable to the
young. Ah, make the most of life."
He patted the two clerks upon the arm
in a happy, paternal fashion and
approached the white-haired and
regal stepping matron his bookkeeper.
"Run along, run along, Miss Jones,"
he said to her.
He waited until his staff had clothed
itself and bidden him good
evening,
and, as the last one passed through the
door, he hurried into his office.
Five minutes later a man in a great
black coat wearing goggles and a
pointed cap mounted the driver's seat
of Mr. Blute's machine. This person
clucked with his tongue in a way highly
reminiscent of his employer, Mr.
Blute, and in fact seemed possessed of
another of his habits. For, as he
adjusted himself in the seat, he extracted
a little powder puff from one of his
large pockets and dabbed whimsically
at his nose. This tell-tale ritual
accomplished, the mysterious chauffeur
swung his car into the mass of traffic
and spun away in the direction of the
St. John Hotel.
III
MR. BLUTE, looking tired and slightly
disheveled, entered the Maison des
Robes the following morning. He
glanced keenly at his pretty clerks who
were standing in a solemn little group
near the center of the room and bending
over an opened newspaper. Mr.
Blute paused, he came near them.
"Too bad, ladies," he said. "It is a
terrible thing."
"Oh, we are so sorry," one of them
answered, and Mr. Blute, shaking his
head, sadly passed on into his office.
He closed the door and drew from
his pocket a newspaper and sitting down
at his desk read the account of the
tragedy which had overtaken five young
women and an intoxicated chauffeur.
The newspaper stated the young
women had been selected by Mr. Blute
as the most beautiful in Chicago and
were being escorted to the St. John
Hotel in the automobile belonging to
the proprietor of the Maison des Robes.
The chauffeur as he guided the machine
had appeared to be intoxicated to at
least several crossing policemen who
remembered his passing. He had, this
diabolical chauffeur, finally ended by
crashing through the slight guard at the
river's edge and into the river, at
Adams street. The bridge at this point
had been open at the time. Repairs
which were being made on the structure
had necessitated the closing of the
street and thus it was that the
accident had been witnessed by no one.
An officer named Maloney was the first
to arrive on the scene. He peered into
the black water and saw great ripples
dancing under the red lights of the
bridge. It was eight o'clock, according
to Policeman Maloney.
Mr. Blute studied the story closely
as he read, rereading several
paragraphs.
Pressing a button, he summoned one
of his pretty clerks and ordered her to
secure him copies of the afternoon
papers as soon as they appeared.
As he waited their arrival, two
policeman desecrated the interior of the
establishment with their heavy feet and
loud voices, and ended by being
ushered into the proprietor's presence.
They informed him that his limousine
had been fished out of the river, little
the worse for wear, but that the
police had been unable to recover the
bodies of the five young women.
Mr. Blute listened gravely. He
answered their questions freely, telling
them of the chauffeur whom he had
only hired two days before and whose
first name was Harold.
"It is awful," said Mr. Blute, covering
his face with his hands. "I had
prepared rooms at the St. John Hotel
and given the man instructions to go
there at once. The tragedy has
unnerved me, gentlemen."
"We are draggin' fer the ladies and
the chauffeur," said one of the policemen,
"and will let you know, Mr. Blute,
as soon as we find anything."
To the newspaper reporters who
arrived at the Maison des Robes as the
police were leaving, Mr. Blute
announced that he would bestow a sum
of $100 upon each of the families of
the deceased five young women. He
revealed their names, as he had done
to the police, described their beauties,
dwelt bitterly upon the drunkenness of
the miserable chauffeur, wrung his
hands and clucked solemnly with his
tongue.
For eight days the police continued to
drag the river for the bodies of the six
victims. During this time, apparently
overcome by the disaster, Mr. Blute
relapsed into a morose condition. His
pretty clerks saw him but little. He
called upon the police captain in charge
of the search for the bodies daily.
At the end of the eighth day the body
of a young woman was found near the
mouth of the river. The body was
taken to the morgue and there identified
by a young man as the remains of
Mary Collins, his sister. Miss Collins,
it developed at once, was one of the five
beautiful women who had been chosen
by the discriminating Mr. Blute.
The brother identified the body by
means of the clothes the young woman
wore and a signet ring which she had
borrowed from him only a week
before. The features were discolored
beyond recognition by the water, seeming
also to have sustained certain
bruises.
In quick succession during that night
four other bodies were recovered from
the mouth of the river. Like the first,
their faces were disfigured by discolorations
and bruises. The coroner and
police explained this fact by the theory
that the bruises had been sustained in
the accident itself, the plunge into the
river, and the discolorations had been
brought on by the abrasions.
Three of the bodies were identified
by landladies. One was a Miss Helen
Lowrey. The second, Miss Dorothy
Janes. The third, Miss Anna Hyde.
The landladies wept and declared the
victims had roomed with them when
alive. The identifications were made
by means of the clothing, of rings,
ornaments, shoes and hosiery. Mr. Blute
himself established the identify of the
fourth, remembering in particular the
black and white checked suit in which
the body was attired and the long grey
gloves.
An inquest was held and the bodies
buried. The search for the drunken
chauffeur was discontinued. Mr. Blute
reimbursed the brother of one of
the victims with his check for
$100, and thus two weeks after
the evening of the tragedy the matter
was forgotten, and business at the
Maison des Robes was resumed.
Even Mr. Blute appeared to have
recovered some of his joyous and paternal
air which the incident had for the
time taken from him. The elegant
people who walked in the avenue passed
the window of the famous establishment
and soon forgot, as they gazed
at the exquisite interior, the story of
the five beautiful women, the drunken
chauffeur and the open bridge.
The night after the inquest, Mr. Blute
walked briskly towards his home. His
automobile was still suffering repair.
He had ridden to a point within four
blocks of where he lived in the street
car. It was warm and the promise
of a storm was in the sultry air.
Mr. Blute's home was a large red
brick house located in a peculiarly
dismal part of the city which had once
been the center of wealth and society.
The mansions which had once lent an
air of solid and tasteful affluence to the
street now stood with their windows
broken, their porches sunken, their
stairs overgrown. Large "For Sale"
signs painted white, shone out of the
darkness. Here and there were some
still inhabited.
A stagnation had apparently
overtaken the district. To the south furious
building activities had converted
the almost prairies of twenty years ago
into populous resident sections. To
the north the avenue had changed the
scene into one of glitter and prosperity.
But in this space, where stood the
home of Mr. Blute a decay had fallen.
The night lay somberly upon it, the
sagging outlines of the tumble-down
mansions appeared faintly out of the
unrelieved gloom.
Before one of the more preserved
of these mansions Mr. Blute stopped.
A single light burned in an upper
window.
Mr. Blute, peering into the darkness
about him, suddenly mounted the steps
and let himself into the house with a
key.
He locked the door carefully behind
him.
For a moment he stood still and
listened and then he walked to a front
window in the large barren room to the
right of the hall and dropped to his
knees in front of a cracked pane.
He remained thus on his knees for
ten minutes, peering cautiously into the
street, only his mop of hair and gleaming
eyes visible above the ledge.
After gazing into the vacant street in
this odd manner, Mr. Blute arose,
rubbed his palms together and, smiling,
tiptoed gently up the stairs.
The old mansion became full of
creakings and groanings as Mr. Blute
progressed. But at the top of the flight
he paused and the noises ceased.
He paused and peered intently at a
door behind which a light burned.
Into his eyes came, it seemed, an
answering light, a faintly ecstatic gleam.
Mr. Blute inserted a key in the door
lock and turned it. The door opened
slowly.
The room in front of Mr. Blute was
illuminated by a lighted gas jet. Across
the walls fell long trembling shadows.
He walked directly to the jet and turned
on the light fuller. Two cabinets, in
which a variety of odd surgical instruments
and bottles of colored liquids
reposed, came into view. Also ranged
across one end of the room there
appeared to be five long tables on which
lay the bodies of the five young women,
who had entered Mr. Blute's automobile
one evening two weeks ago.
IV
MR. BLUTE, as if remembering something,
dashed back to the door and
locked it with the key. He then
returned to the other end of the room
and surveyed the contents of the five
tables. Each of them was partially
covered with a black cloth.
"Ah, my beauties," said Mr. Blute
softly. "Everything is settled. You
have been decently buried. And one
of you has cost me an extra $100."
He frowned at the middle figure and
wagged a reproving forefinger at it.
"Why didn't you mention that brother
of yours, eh? Pah! Women are
never to be trusted," he growled.
But recovering his good spirits Mr.
Blute clucked genially with his tongue,
walked to one of the cabinets and
proceeded to remove an array of apparatus,
instruments and bottles.
As he made these preparations his
eyes strayed continually to the bodies
on the tables. He kept
mumbling to himself:
"Orphans, excellent. Ah, beauties.
I have made no mistakes . . . no
mistakes."
The proprietor of the Maison des
Robes then spread out his strange
paraphernalia on a sixth and smaller
table. His mop of hair became awry,
his eyes gleamed and an unlovely oil
gradually overspread his face.
But his hands were busy, dexterously
busy. They mixed the liquids of the
bottles, they lighted little gas burners
and cooked little pots. There was an
elaborate methodicality about Mr.
Blute during these operations. He
counted things, he insisted upon laying
everything straight and keeping everything
clean.
Towards the end of his labors he
grew excited, gazing into the bubbling
pots, clucking with his tongue and
finally prancing up and down and
rubbing his palms vigorously together.
It was obvious that Mr. Blute was
preparing a solution, a delicate, difficult
solution from the intensity of his
maneuverings. Having prepared this in
at least five different ways there were
five little pots, Mr. Blute filled a long
hollow needle-like instrument with the
bubbling liquid from one of the pots.
"It is perfect," he mumbled, "perfect.
The perfect fluid. Ah, what
would the Ptolomies have given for
it?"
He then folded his short arms across
his bosom and surveyed with dignity
the five bodies which lay stiff and
beautiful upon the five tables.
"One more injection," he mumbled,
"and it is complete. But first another
bath one more bath."
Opening a drawer beneath one of
the cabinets, Mr. Blute extracted a
large bottle containing a violet liquid.
With this in his hand he approached
first the body of Margaret Swinburne,
looking as she had looked when he had
asked her her name in his office two
weeks ago. With the violet liquid he
proceeded to bathe her face.
An odd spicy smell crept into the
room.
The inanimate face underwent
simultaneously a remarkable change.
The skin appeared to revive, the
flesh seemed to bloom, a glowing tint
of life suffused the throat.
"Four baths," mumbled Mr. Blute,
"I must remember. Only four. And I
must not forget the hair."
Darting to the cabinet he returned
with a bottle of dark liquid and this he
applied expertly to the head. The
blonde hair, which he loosened,
shimmered under the application. Slowly
its color changed, Mr. Blute drenching
it delicately with the contents of the
bottle. It became
a smouldering auburn.
This accomplished, Mr. Blute
returned to his long needle instrument.
"Now," he addressed the figure upon
which he had been working: "We
shall see. This way."
With quick little movements he
inserted the point of the needle into the
tips of the slender fingers, each time
loosing some of the liquid by means
of the silver plunger which formed the
upper part of the instrument. The
eleventh injection Mr. Blute made into
the heart.
As soon as they were finished he
seized the body in a frenzy and
staggering under its weight carried it to a
bench which stood near the cabinets.
"Now," he cried, "the pose, the pose.
This way. No. Turn the head. The
foot out. You will sit. A morning
costume. So. The right foot in. The
arm out. The fingers. My God, are
you stupid! The fingers, so; open one.
Close the other. The knee less bent.
Ah! Excellent. Leaning forward a
bit. Ah, what grace. As if you
listened. So. As if you had something
to say, ha, ha."
As he spoke or rather ejaculated, Mr.
Blute's hands manipulated the body
before him. It resembled, the operation
did, some weird sculpturing. But the
pose he finally achieved seemed to
delight him. He hovered around it. Now
and then he added a finishing touch, a
final angle. But soon the limbs ceased
to obey his sensitive movements. He
strained the wrist in an effort to undo
a curve. He might as well have sought
to undo the curve of some marble
wrist. A gleam of triumph came into
his eyes.
"You harden quickly," he gasped.
"Quicker than ever. An hour quicker!
I have barely time to adjust! Eh!
And this time you will last longer; yes.
Two years, my beauty. And then
perhaps who knows the fluid which is
forever. I think now, that you
will do."
The remainder of the night Mr. Blute
spent in similar ministrations upon the
other four bodies. Each he bathed in
the peculiarly smelling liquid. Each
revived under his touch, losing its still
ghastly stiffness, growing mysteriously
alive, acquiring a delicate blooming
transparency of skin as of death made
beautiful. The hair of each Mr. Blute
dyed a different color!
At dawn Mr. Blute had finished.
The five were posed. They lay now
upon the tables in impossible posturings,
ludicrously sinister, lovely and
vicious, like a family of houris caught
by some sudden enchantment which had
perpetuated them in their casual
graces. Each had suffered the careful
and elaborate adjusting of Mr. Blute.
Tired and disheveled, he stood in the
center of the room and panted. The
air was full of an almost suffocating
odor. But a prodigious strength seemed
to be his.
With a great sigh he lifted the body
of Miss Swinburne upon his shoulder
and carried her into an adjacent
room.
On the floor of this room were laid
six oblong boxes. Their lids had been
opened and each of the boxes contained
a naked wax model to which was
affixed a wire standard.
It was Mr. Blute's purpose to sever
the wire standards from the wax models
and attach them to the bodies of
his five young women. This he did
carefully, placing each of the bodies,
when he had finished, into each box
occupied by the wax dummies.
V
AN hour later Mr. Blute sat and
waited for the arrival of the wagon
from the Maison des Robes. He had
washed his face and hands, changed his
clothes, powdered his nose and
violently brushed his hair.
The wagon came and Mr. Blute
supervised the loading of the oblong
boxes, which had been recrated and
carefully relabeled by their owner.
Seated then on one of them, the erratic
Mr. Blute was driven into the avenue
and around to a point in the rear of the
Maison des Robes.
He emerged into his establishment
and ordered his clerks to bring out the
five costumes which had been selected.
Then standing with the fluffy silken
mass in his arms, he announced: "I
do not wish to be disturbed until I
ring," and retired into his office
where the five oblong boxes had been
taken.
He uncrated them one at a time,
attiring them in lingerie petticoats, shoes
and the costumes.
To the first he pinned a bit of paper
on the hem of the petticoat. On the
paper were the initials M. C. which, in
Mr. Blute's mind, were obviously the
initials of Mary Collins.
He placed the carefully dressed body
in a corner and proceeded with the
second. His actions were tender, wistful
and expert.
It was well along in the afternoon
when Mr. Blute issued from his office
and summoned his pretty clerks.
"We will now place the figures in the
window. We will take the figures
which are in there out and put them in
the boxes. Handle everything carefully,
ladies."
The clerks stepped at the door of
Mr. Blute's private office and gasped.
Confronting them were five beautiful
young women attired in the height of
exquisite fashion. One of them was
standing smiling with a simple and yet
startling grace to her outlines. A
second was seated and gazing
nonchalantly
at her dainty boot. She seemed to be
meditating upon the filmiest of secrets.
A third was standing with her head
turned and her mouth slightly opened
in a look of pleasant surprise. A fourth
was seated, leaning forward as if in
conversation. Words trembled on her
lips and there was about her the air of
a woman who is struggling to reveal
something of piquant importance. The
fifth stood straight and tall, her eyes
lowered, her arms listless, as if she
were dreaming for the instant of some
memories far distant. They were all
radiant and appeared to the astounded
clerks to be alive.
"Beauties, eh?" clucked Mr. Blute,
rubbing his palms together.
The clerks admired his handiwork
without a word.
Then amid the delighted exclamations
of his employes and three
fashionable customers, the five models were
carried one by one into the spacious
and wonderfully draped window of the
Maison des Robes.
From the sidewalk Mr. Blute
surveyed the effect and pranced excitedly
up and down. His face moved with
queer grimaces and he appeared
obsessed by a deep and silent joy. He
raised his eyes to the sky and blinked
in a solemn sort of thanksgiving or
prayer.
Within the shop his clerks talked
among themselves.
"Those are certainly the most beautiful
figures Blute has had yet," said
the first one. "They are remarkable.
I never saw anything like them."
The second one came out of the window
shaking her head solemnly.
"Yes," she agreed. "They are far
superior to the last three figures we
had, although I can't see why Mr. Blute
is throwing those last three out. They
were better than anything on the avenue
and hadn't begun to melt. These
must have cost a fortune."
Miss Jones, the white-haired and
regal-stepping one interrupted in a
superior manner.
"A man like Mr. Blute," she said,
"does not balk at expense in pursuing
his art. I have been here for eight
years and during that time he has had
four shipments from France, each one
better than the other. This is the
fifth."
The conversation ceased as Mr. Blute
re-entered his establishment. After
gracefully receiving the congratulations
of the occupants he retired to his
office.
He closed the door behind him.
Then after a pause he opened the
steel door of a wall safe and extracted
from its interior a large ledger. This
he carried to his desk.
Opening it to a blank page he wrote
in it as follows:
Fifth Importation |
|
For bodies from the Merville, Holmes, Wilmot and City Hospitals. $10 each |
$50 |
For poison gun and limousine attachment |
25 |
For embalming, mummifying chemicals |
200 |
For rash statement to the press |
100 |
For expressage of hospital bodies to mouth of the river |
30 |
For wax models from France, destroyed |
400 |
"I guess that's all," murmured Mr.
Blute, and with a sigh he totalled the
column.
A light of mystic satisfaction shone
from him. He powdered his nose with
the puff and rubbing his hands together
added to himself:
"Eight hundred and five dollars!
Twice as much as last time, ha! Hobbies
cost money. Ah, well, art for art's
sake."
Mr. Bluth then returned the ledger
in the wall safe, locked the steel door
and with a light brisk step re-entered
his display room.
On the sidewalk a crowd of men and
women had gathered. The men stared
intensely into the window, their eyes
smiling, their hearts beating fast. The
women gazed enviously fascinated as
always by this Paradise of windows,
this fairyland of silks and laces and
tulles, and graces. Exclamations of delight
and wonder came from all sides,
exclamations of astonishment and joy.
Mr. Blute stood in the plate glass
door of his establishment, his large
head thrown back, his hands clasped behind
him and regarded the admiring
throng with an expansive, though modest,
smile.
(THE END)