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Thieves' Wit (1916-17)
by Hulbert Footner
(1879-1944)
Author of "Jack Chanty,"
"The Huntress," etc.
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* Copyright, 1916, by Hulbert Footner
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MY
first case! With what an
agreeable thrill a professional
man repeats the words to
himself! I was well along in the thirties
before I got my start, and had lost a
deal of hair from my cranium. This
enabled me to pass for ten years older
when I wished; and at the same time,
with a little assistance from my friend
Oscar Nilson, the wig-maker, I could still
make a presentable figure of youth and
innocence.
During my earlier days I had been a
clerk in a railway freight-office, a poor
slave with only my dreams to keep my
heart up. My father had no sympathy
with my aspirations to be a detective.
He was a close-mouthed and a close-fisted
man; but when he died, after
having been kept on scanty rations for
years, my mother and I found ourselves
fairly well off.
I promptly shook the dust of the
freight office from my feet and set about
carrying some of the dreams into effect.
I rented a little office on Fortieth Street
at twenty dollars a month, furnished it
discreetly, and had my name painted in
neat characters on the frosted glass of
the door "B. Enderby," and no more.
Lord, how proud I was of the outfit! I
bought a fire-proof document-file for
cases, and had some note-paper and
cards printed in the same neat style:
B. ENDERBY
CONFIDENTIAL INVESTIGATOR
You see, I wished to avoid the sensational.
I was not looking for any
common divorce-evidence business. Since
I had enough to exist on, I was determined
to wait for important, high-priced,
kid-glove cases.
While I waited I studied crime in all
its aspects. I worked, too, at another
ambition which I shared with a few
million of my fellow creatures to write
a successful play. I started a dozen and
finished one. I thought it a wonder of
brilliancy then. I have since learned
better.
It was the play-writing that brought
me my first case. I used to haunt the
office of a certain prominent play-broker,
who was always promising to read my
play and never did. One afternoon, in
the up-stairs corridor of the building
where this broker had her offices, I came
face to face with Irma Hamerton.
Nowadays Irma is merely a tradition
of loveliness and grace. Theatergoers
of this date see nothing like her to
rejoice their eyes. Then, to us humble
fellows, she stood for the rarest essence
of life, the ideal, the unattainable call
it what you like. Tall, slender, and
dark, with a voice that played on your
heart-strings, she was one of the
fortunate ones of earth.
She had always been a star, always an
idol of the public. Not only did I and
my friends never miss a show in which
she appeared, but we would sit up half
the night afterward talking about her.
None of us had dreamed of seeing her
face to face and close to.
I met her at a corner of the corridor,
and we almost ran into each other. I
forgot my manners entirely. My eyes
almost popped out of my head. I wished
to fix that moment in my life forever.
Imagine my confusion when I saw that
she was crying, that glorious creature!
Actually the tears were running down her
soft cheeks, like any common woman's.
Do you wonder that a kind of convulsion
took place inside me?
Seeing me, she quickly turned her
head; but it was too late. I had already
seen the drops stealing like diamonds
down her cheeks. I stared at her like
a clown, and like a clown I blurted out,
without thinking:
"Oh, what's the matter?
She didn't answer me, of course. She
merely hurried faster down the hall and
turned the next corner.
When I realized what I had done, I
felt like butting my silly head through
one of the glass partitions that lined the
corridor. I called myself all the names
in my vocabulary. I clean forgot my
own errand in the building, and went
back to my office muttering to myself in
the streets, like a lunatic.
I was glad no one dropped in. In my
mind I went over the scene of the
meeting a hundred times, I suppose, and
made up what I ought to have said and
done-still more ridiculous, I expect,
than what had happened. What bothered
me was that she would think I was
just a common fresh guy. I couldn't
rest under that; so I started to write her
a note. I wrote half a dozen and tore
them up. The one I sent ran like this
I blush to think of it now:
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MISS IRMA
HAMERTON:
DEAR MADAM:
The undersigned met you in
the corridor of the Manhattan Theater Building
this afternoon about three. You seemed to
be in distress, and I was so surprised that I
forgot myself and addressed you. I beg that
you will accept my apology for the seeming
rudeness. I have seen you in all your plays,
many of them several times over, and I have
received so much pleasure from your acting,
and I respect you so highly, that it is very
painful to me to think that I may have added to
your distress by my rudeness. I assure you
that it was only clumsiness, and not intentional
rudeness.
Yours respectfully,
B. ENDERBY.
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The instant after I had posted this
letter I would have given half I
possessed to get it back again. It suddenly
occurred to me that it would only make
matters worse. Either it would seem
like an impertinent attempt to pry into
her private affairs, or a bold move to
follow up my original rudeness. A real
gentleman would not have said anything
about Miss Hamerton's tears, I told
myself. My cheeks grew hot, but it was too
late to recall the letter. I was thoroughly
miserable. I did not tell any of my
friends what had happened.
That night I went alone to see her
play. Lost in her part, of course, and
hidden under her make-up, she betrayed
nothing. There was always a suggestion
of sadness about her, even in comedy.
When that deep, lovely voice trembled,
a corresponding shiver went up and down
your spine.
I thought about her all the way home.
My detective instinct was aroused. I
tried to figure out what could be her
trouble.
There are only four kinds of really
desperate trouble ill health, death, loss
of money, and unrequited love. To look
at her in the daylight, without make-up,
was enough to dispose of the first. It
was said that she had no close relatives,
therefore she couldn't have lost any recently. As for money, surely, with her
earning capacity, she had no need to
trouble about that.
Finally, how could it be an affair of
the heart? Was there a man alive who
would not have cast himself at her feet
if she had turned a warm glance in his
direction? Rich, successful, and adored
as she was, I had to give it up.
About five o'clock the next afternoon
the surprise of my life was administered
to me. I received a large, square,
buff-colored envelope with a brown border,
addressed to me with brown ink in
immense, angular characters. On opening
it my hand trembled with a delicious
foreboding of what was inside, even
though better sense was telling me not
to be a fool. It contained a card on
which was written:
Miss Irma Hamerton will be glad to see Mr.
B. Enderby if it will be convenient for him to
Call on her at the Hotel Rotterdam at noon on
Thursday.
For a moment I stared at the written
words, dazed. Then I went up in the
air. I did a sort of war-dance around
the office. Finally I rushed out to the
best shop in the neighborhood to get a
new suit before closing-time. Thursday
was the next day!
II
I HAD
never been inside that most
exclusive of exclusive hotels, the
Rotterdam. I confess that my knees were
a little infirm as I went through the
marble entrance and passed before the
nonchalant, indifferent eyes of the
handsome footmen in blue liveries.
"Ah, they're only overgrown bellhops!"
I told myself encouragingly, and
fixed the marquis behind the desk with a
haughty stare.
Walking in a dream, I presently found
myself being shown into a corner room
high up in the building. I was left there
alone, and I had a chance to look around.
I had never seen anything like it, except
on the stage. It was decorated in what
I think they call the Empire style, with
walls of white paneled wood, picked out
with gold, and pretty, curiously shaped
furniture. Everywhere there were great
bunches of pink roses, picked that morning,
you could see, with petals still moist.
It smelled as I thought heaven might.
That was all I had time to take in
when the door opened, and she entered.
She was wearing a pink, lacy sort of thing
that went with the roses. She didn't
mind me, of course. She was merely
polite and casual; but just the same I
could see that she was deeply troubled
about something. Trouble makes
woman's eyes big, and that makes a
beautiful woman twice as beautiful.
She went to the point as straight as a
bullet.
"I suppose you are wondering why I
sent for you?"
I confessed that I was.
"It was the heading on your letter-paper.
What do you mean by 'confidential
investigator' detective?"
Something a little better than an
ordinary detective, I hope."
She switched to another track.
"Why did you write to me?"
This took me by surprise.
"There was no reason except what
the letter said," I stammered.
Several other questions followed, by
which I saw she was trying to get a line
on me. I offered her references. She
accepted them inattentively.
"It doesn't matter so much what other
people think of you, she said. "I have
to make up my own mind about you.
Tell me more about yourself."
"I'm not much of a hand at the brass
instruments," I said. "Please ask me
questions."
This seemed to please her. After some
further inquiries she said simply:
"I wrote to you because it seemed
to me from your letter that you had a
good heart. I need that perhaps more
than detective skill. I live in a blaze
of publicity. I am surrounded by flatterers.
The pushing, thick-skinned sort
of people force themselves close to me,"
and the kind that I like avoid me, I fear.
I am not sure whom I can trust. I am
afraid indeed, I feel certain that if I
put my business in the hands of the regular
people it would soon become a matter
of common knowledge."
Her simplicity and sadness affected
me deeply. I could do nothing but
protest my honesty and my devotion.
"I am satisfied, she said at last.
"Are you very busy at present?"
"Tolerably," I said with a busy air.
It would never have done to let her think
otherwise.
"I would like you to take my case,"
she said with an enchanting note of
appeal; "but it would have to be on
the condition that you will attend to it
yourself. I should have to ask you to
agree not to delegate any part of it to
even the most trusted of your
employees."
This was easy, since I didn't have any.
"You must, please, further agree not
to take any steps without consulting me
in advance; and you must not mind
perhaps I might call the whole thing off
at any moment. But of course I would
pay you."
I quickly agreed to the conditions.
"I have been robbed of a pearl necklace,"
she said with an air of infinite
sadness.
I did not need to be told that there
was more in this than the ordinary case
of an actress's stolen jewels. Irma
Hamerton didn't need that kind of advertising.
She was morbidly anxious that there
should be no advertising in this.
"It was a single strand of sixty-seven
black pearls, ranging in size from a
currant down to a small pea. They were
perfectly matched, and each stone had
a curious, bluish cast, which I believe
to be quite rare. As jewels go nowadays
it was not an exceptionally valuable necklace,
but it was worth about twenty-six
thousand dollars, and represented my
entire savings. I have a passion for
pearls. These were exceptionally perfect
and beautiful. They were the result of
years of search and selection. Jewelers
call them blue pearls. I will show you
what they looked like."
She went into the adjoining room for
a moment, returning with a string of
dusky, gleaming pearls hanging from her
hand. They were lovely things. My
unaccustomed eyes could not distinguish
the blue in them until she pointed it
out. It was like the last gleam of light
in the evening sky.
"The lost necklace looked exactly like
this," she said.
"Had you two?" I asked in surprise.
She smiled a little.
"These are artificial."
I suppose I looked like the fool I felt.
"A very natural mistake," she said.
"Some time ago my jeweler advised me
not to wear the real pearls on the stage,
so I had this made by Roberts. The
resemblance was so perfect that I could
scarcely tell the difference myself. It was
only by wearing them that I could be
sure."
"By wearing them?" I repeated.
"The warmth of my body caused the
real pearls to gleam with a deeper luster."
"Lucky pearls! I thought.
"They almost seemed alive," she went
on with a kind of passionate regret.
"The artificial pearls show no change,
of course; and after a time they have to
be renewed."
I asked for the circumstances of the
robbery.
"It was at the theater," she said. "It
occurred on the night of February 14."
"Six weeks ago!" I exclaimed in
dismay. "The trail is cold!"
"I know," she admitted. "I do not
expect a miracle."
I asked her to go on.
"I had an impulse to wear the
genuine pearls that night. I got them out
of the safe-deposit vault in the afternoon.
When I saw the real and the artificial
together I was afraid of making a
mistake, so I made a little scratch on the
clasp of the real strand. I wear them
in the first act. I have to leave them
off in the second act, when I appear in
a nurse's uniform, and in the third, when
I am supposed to be ill. In the fourth
act I wear them again. That night I
wore the real pearls in the first act. I
am sure of that, because they were glow
ing wonderfully when I took them off
as if there was a tiny fire in each stone.
I put them in the pocket of the nurse's
uniform, and carried them on the stage
with me during the second act. In the
third act I was obliged to leave them
in my dressing-room, because in this act
I am shown in bed; but I thought
they would be safe in the pocket of
the dress I took off. The instant I
returned to my dressing-room I got them
out and put them on, suspecting nothing
wrong. It was not until after the final
curtain that, upon taking them off, I
was struck by their dulness. I looked
for my little mark on the clasp. It was
not there. I found I had two strings of
artificial pearls."
When she finished, I asked her the
obvious questions.
"Did you have any special reason for
wearing the genuine pearls that night?"
"None, except that I loved them. I
loved to handle them. They were so
alive! I was afraid they might lose their
life if I never wore them."
Somehow I was not fully satisfied with
this answer; but for the present I let
it go.
"Was any one with you when you got
them out of the safe-deposit box?" I
asked.
"I was quite alone."
"Did any one know you were wearing
them that night?"
"No one."
"Were there any strangers on the
stage?"
"No. At my request, my manager
is very particular as to that. I have
been so much annoyed by well-meaning
people that no one is admitted. In this
production the working force behind is
small. I can give you the name of every
person who was on the stage that night."
"Has any one connected with the
company left since then?"
"No."
"Who has the entrée to your dressing-room
while you are on the stage?"
"Only my maid; but she is not
expected to remain there every moment.
Indeed, I remember seeing her watching
the scene from the first entrance that
night."
"During which time your room was
unlocked?"
"Very likely; but the door to it was
immediately behind her."
"Have you any reason to suspect
her?
"None whatever. She's been with me
four years. Still, I do not except her
from your investigation."
"Does she know of your loss?
"No one in the world knows of it but
you and I."
"And the thief," I added.
She winced. I was unable to ascribe
a reason for it.
"Do you care to tell me why you
waited six weeks before deciding to look
for the thief?" I asked her as gently as
possible.
"My jeweler, who is also an old
friend, has secured three more blue
pearls," she answered quickly. "He has
asked me for the necklace, so that he can
add them to it. I cannot put him off
much longer without confessing that I
have lost it."
"Shouldn't we tell him that it has been
stolen? I asked, surprised."
She energetically shook her head.
"Jewelers have an organization for the
recovery of stolen jewels," I persisted.
"The only way we can prevent the thief
from realizing on the pearls is by having
the loss published throughout the trade
in the usual way."
"I can't consent to that, she said
with painfully compressed lips. "I want
you to make your investigation first."
"Do you mind telling me who is your
jeweler?"
"Mr. Alfred Mount."
"If you could only tell me why he
must not be told! I insinuated."
She still shook her head.
A woman's reason, she said, avoiding
my glance.
"You know, of course, how much you
increase my difficulties by withholding
part of your confidence?"
There was a little tremble in her lovely
throat.
"Don't make me sorry I asked you
to help me," she said.
I bowed.
"See what you can do in spite of it,"
she added wistfully.
III
I NEED
not take the space to put down
all my early reasoning on the case. I had
plenty to think about, but every avenue
my thoughts followed was blocked sooner
or later by a blank wall. Never in my
whole experience have I been asked to
take up such a blind trail and this was
my first case, remember. Six weeks lost
beyond recall! It was discouraging.
I narrowed myself down to two main
theories either the pearls had been
stolen by experienced specialists after
long and careful plotting, or they had
been picked up on impulse by a man or
woman dazzled by their beauty. In this
latter case the thief would most likely
hoard them and gloat over them in secret.
Not the least puzzling factor in the
affair was my client herself. It was clear
that Miss Hamerton had been passionately
attached to her pearls. She always
spoke of them in almost a poetic strain;
yet there was a personal note of anguish
in her grief which even the loss of her
treasure was not sufficient to explain.
Strangest of all, she seemed to be more
bent on finding out who had taken them
than on getting them back again. She
had waited six weeks before acting at all,
and now she hedged me around with so
many conditions that the prospect of
success was slight indeed.
I had an intuition which warned me
that if I wished to remain friends with
her, I had better be careful whom I
accused of the crime. It was a puzzler,
whichever way you looked at it.
However, an investigator must not allow
himself to dwell on the hopelessness of his
whole tangle, but must set to work on a
thread at a time. Whichever way it
turned out, for some time to come I was
to have the delight of seeing her
frequently.
I was there again the next afternoon.
This day, I remember, the room was
fragrant with the scent of great bowls of
violets. The lovely, dark-haired mistress
of the place looked queenly in a dress of
purple and silver. As always when there
were a number of people around, she was
composed in manner; one might say a
little haughty.
There was quite a crowd. It included
a middle-aged lady, a Mrs. Bleecker, a
little overdressed for her age, and
envious-looking. She, it transpired, was
Miss Hamerton's companion or chaperon.
The only other woman was a sister star,
a handsome blond woman older than Miss
Hamerton, very affectionate and catty. I
have forgotten her name.
The men were of various types. Among
them I remember the editor of a
prominent newspaper, a well-known
playwright, and Mr. Roland Quarles. The
latter was Miss Hamerton's leading man.
He looked quite as handsome and young
off the stage as on, but seemed morose.
Miss Hamerton introduced me all
around in her casual way, and left me to
sink or swim by my own efforts. None
of the people put themselves out to be
agreeable to me. I could see that each
was wondering jealously where I came in.
However, since I had a right to be there,
I didn't let it trouble me.
This was life, I told myself, and I kept
my eyes and ears open. I was not long
in discovering that these "brilliant"
people chattered about as foolishly as the
humblest I knew. Only my beautiful
young lady was always dignified and
gracious. She let others do the talking.
I stubbornly outstayed them all,
though the men were very reluctant to
leave me in possession of the field. As
for Mrs. Bleecker, I saw in her eye that
she was determined to learn what I had
come for. However, Miss Hamerton
coolly disposed of her by asking the
companion to entertain a newcomer in the
next room while she talked over a business
matter with me.
These people wearied her a little. She
relaxed when they had gone.
"I had you shown right up, she said
to me," because I want my friends to
become accustomed to seeing you. I
hope you did not mind."
I replied that I was delighted.
"I suppose I ought to account for you
in some way, she went on, "or their
curiosity will run riot. What would you
suggest?"
"Oh, let them suppose that I am a
playwright in whose work you are
interested."
She accepted the idea. How delightful
it was for me to share secrets with her!
My particular purpose in making this
call was to urge her again to take the
jeweler into her confidence. I pointed
out that we could hope to do nothing
unless we blocked the thief from disposing
of the pearls. At length, very reluctantly,
she consented, stipulating, however,
that the jeweler must be told that she had
just discovered her loss. I explained to
her that we should have to look back to
make sure that the jewels had not already
been offered for sale, but on this point she
stood firm.
She gave me a note of introduction to
Mr. Alfred Mount. I delivered it the
following morning.
At this time Mount's was the very last
word in fashion. It was a smallish store,
but richly fitted up, on one of the best
corners of the avenue, up near the cathedral.
Every one of the salesmen had the
air of a younger son of the aristocracy.
They dealt only in precious stones none
of your common stuff, like gold or silver.
I was shown into a private office at the
back a gem of a private office, exquisite
and simple; and in Mr. Alfred Mount I
saw that I had a notable man. One
guessed that he would have been a big
man in any line. So far I knew him only
as one of the city's leading jewelers. By
degrees I learned that his interests were
wide-spread.
He was a man of about fifty, who
looked younger, owing to his flashing dark
eyes and his lips, full and crimson as a
youth's. In a general way he had a
foreign look, though you couldn't exactly
place him as a Frenchman, an Italian, or
a Spaniard. It was only, I suppose, that
he wore his black hair and curly beard a
little more luxuriantly than a good
American. His manner was of the whole
world.
My first involuntary impression was
dead against the man. He was too much
in character with the strange little orchid
that decorated his buttonhole.
Later I decided that this feeling was
only my Anglo-Saxon narrowness. True,
he kept a guard on his bright eyes, and
his red lips were firmly closed; but do
we not all have to train our features?
He was a jeweler who earned his bread
by kotowing to the rich. My own face
was not an open book, yet I considered
myself a fairly honest fellow.
He read my letter of introduction,
which stated that I would explain my
business to him. Upon his asking what
that was, I told him quietly that Miss
Hamerton had been robbed of her pearls.
He started in his chair, and pierced me
through and through with those brilliant
black eyes.
"Give me the facts!" he snapped.
I did so.
"But you?" he
said impatiently. "I
don't know you."
I offered him my card, and explained
that Miss Hamerton had retained my
services.
He was silent for a few moments, chewing
his mustache. It was impossible to
guess what was going on behind the mask
of his features. Suddenly he started to
cross-question me like a criminal lawyer.
How long had I been in business? Was
I accustomed to handling big cases? Had
I any financial standing? What references
could I give? And so on, and so on.
My patience finally gave way under it.
"I beg your pardon," I said stiffly. "I
recognize the right of only one person to
examine me in this way, and that is my
client."
He pulled himself together and, I must
say, apologized handsomely. Like most
big men, he was often surprisingly frank.
"Forgive me," he said winningly.
"You are quite right. I am terribly
upset by your news. I forgot myself. I
confess, too, I am hurt that Miss Hamerton
should have acted in this matter without
first consulting me. I am a very old
friend of hers."
I was glad that she had done so, for
something told me that I never should
have got the job from him. I did not tell
him how she had come to engage me,
though he gave me several openings to
do so.
"I am not a narrow man," Mr. Mount
went on in his best manner, "and I will
not hold it against you. Only show me
that you are the man for the job, and I
will aid you with all my power."
I accepted the olive-branch.
"I spoke too hastily myself," I
returned. "I shall be glad to tell you
anything you want to know about myself."
We basked in the rays of mutual
politeness for a while. Still, that instinctive
dislike of the man would not quite down.
He asked no more personal questions.
"Have the police been notified?" he
inquired.
"Miss Hamerton imposes absolute
secrecy," I replied.
"Quite so," he said quickly. "That is
wise."
I had my doubts of it, but I didn't air
them.
"Have you any clues?" he asked.
"None as yet."
"What do you want me to do?"
"To publish the loss through the channels
of the trade, with the request that if
any attempt is made to dispose of the
pearls we should instantly be notified.
The owner's name and the circumstances
of the robbery must be kept secret."
"Very good, he said, making a
memorandum on a pad. "I will attend to it
at once, and discreetly. Is there
anything else I can do?"
"I hoped that with your knowledge
of jewels and the jewel market you could
give me something to work on," I said.
"All I know is at your command,"
said he.
He talked at length about jewels and
jewel-thieves, but it was all in generalities.
There was nothing that I could
get my teeth into. He gave it as his
opinion that the pearls were already on
their way abroad, perhaps to India.
"Then you think that the robbery was
engineered by experts?"
He spread out his expressive hands.
"How can I tell?"
We parted with mutual expressions of
good-will.
"I expect I shall have to come often
to you for help," I said at leaving.
"I shall expect you to," he replied
earnestly. "I want you to. I and my
establishment are at your service. Let
no question of expense hamper you."
I found, later, that he really meant
this; but I was reluctant to draw on
him, nevertheless.
When I saw Miss Hamerton the next
day I asked her a question or two
concerning Mr. Alfred Mount, wishing to
find out if he was really such an old
he friend as he made out.
"I have always known him, she said
simply. "That I happen to buy things
from him is merely incidental. He was
a friend of my father's, and he is a very
good friend to me. He has proved it
more than once."
"Then why were you so reluctant to
take him into your confidence?" I was
tempted to ask; but I reflected that since
she had already refused to tell me, I had
better keep my mouth shut and find out
otherwise.
"Mr. Mount asked if we had notified
the police," I said, merely to see how
she would take it.
I regretted it. Her expression of pain
and terror went to my heart. She was
no longer the remote and lovely goddess,
but only a suffering woman.
"Oh, you did not, you have not "
she stammered.
"Certainly not," I said quickly. "You
told me you didn't wish it."
She turned away to recover herself.
What was I to make of it? One would
almost have said that she was a party
to the theft of her own jewels; and yet,
only a few minutes later, she was begging
me to discover the thief.
"It tortures me!" she cried. "The
suspense, the uncertainty! This atmosphere
of doubt and suspicion is suffocating.
I wish I never had had any
pearls! I wish I were a farmer's daughter
or a mill-girl! Please, please settle
it one way or the other. I shall never
have a quiet sleep until I know!"
"Know what?" I asked quietly.
But she made believe not to have heard
my question.
IV.
I SPENT
the next two or three days in
quiet work here and there. The most
considerable advance I made was in
picking an acquaintance with McArdle,
the property-man of Miss Hamerton's
company. Watching the stage door, I
discovered that the working force behind
the scenes frequented the back room of
a saloon on Sixth Avenue for lunch after
the show. The rest was easy. By the
third night McArdle and I were on quite
a confidential footing.
From him I heard any amount of
gossip. McArdle was of the garrulous,
emotional type, and very free with his
opinions. The star was the only one
he spared. From his talk I soon got the
principal members of the company fixed
in my mind.
Besides Mr. Quarles there were George
Casanova, the heavy man a well-known
actor, but, according to McArdle, a
loud-mouthed, empty braggart and
Richard Richards, the character heavy,
whom the property-man described as a
silly old fool devoured by vanity. Among
the women the next in importance after
the star was Miss Beulah Maddox, the
heavy lady, who, in the opinion of my
amiable informant, giggled and ogled like
a sewing-machine girl, and she forty if
she was a day.
Discreet questioning satisfied me that
McArdle was unaware that a robbery
had been committed in the theater. If
he didn't know it, certainly it was not
known.
Out of bushels of gossip I sifted now
and then a grain of valuable information.
He informed me that Roland Quarles
was in love with the star. For some
reason that I could not fathom he was
especially bitter against the young leading
man. He would rail against him by
the hour, but there seemed to be no solid
basis for his dislike.
"Does she favor him?" I asked.
"Nah!" he said. "She's got too much
sense. He's a four-flusher, a counter-jumper,
a hall-room boy! From the airs
he gives himself you'd think he had a
million a year. He's a tail-ender with
her, and he knows it. He's sore!"
"Who seems to be ahead of him?" I
asked with strong curiosity.
"There's a dozen regulars," said
McArdle. "Two Pittsburgh millionaires,
a newspaper editor, a playwright, and so
on. But if you ask me, the jeweler is
ahead in the running."
"The jeweler?" I said, pricking up my
ears.
"Spanish-looking gent with whiskers,"
said McArdle. "Keeps a swell joint on
the avenue. Mount, his name is. He's
a wise guy; does the old family-friend
act, see? He's a liberal feller. I hope
he gets her!"
This bit of information gave me food
for thought. I felt that perhaps it
explained my intuitive dislike of Mount.
The thought of that old fellow presuming
to court the exquisite Irma made me hot
under the collar.
The next morning I called at the store
of Roberts, the manufacturer of artificial
pearls. This place was as well known
in its way as Mount's, since Roberts had
sued the Duke of Downshire, and the
public had learned that the pearls which
his grace had presented to Miss Van
Alstine, on the occasion of their
marriage, were phony. It was quite a fancy
establishment, but, like its wares, on a
much less expensive scale than Mount's.
I fell in with a sociable and talkative
young salesman who, at my request,
showed me a whole trayful of pearl necklaces.
Among them I spotted another
replica of Miss Hamerton's beautiful
string.
"What's this?" I asked carelessly.
"Blue pearls," he rattled off.
"Latest smart novelty a great hit.
Mrs. Minturn Vesey had one sent up only
yesterday. She wore it to the opera last
night."
"There isn't such a thing really as a
blue pearl, is there?" I asked idly.
"Certainly! These are copies of
genuine stones, like all our stock. Some
time ago a customer sent in the real necklace
to have it copied, like they all do.
This was such a novelty that Mr. Roberts
had a pattern made and put them on
sale. It's a winner!"
"I wouldn't want a thing everybody
had bought," I said.
"I don't mean that everybody
has,"
he said; "but just a few of the very
smartest. It's too expensive for everybody
seven hundred and fifty. The
original is priceless."
"How many have you sold?"
"About ten."
"Who else bought them?"
He reeled off a string of fashionable
names.
"That's only six."
"The others were sold over the
counter."
The affable youngster was a little
aggrieved when I left without buying.
Mr. Mount was both surprised and
deeply chagrined when I told him that
exact replicas of Miss Hamerton's pearls
were to be had at Roberts's by anybody
with the price. He didn't see how he
could stop it, either. It appeared that
there was a standing feud between Roberts
and the fashionable jewelers, in
which Roberts had somewhat the advantage,
because the regular trade was
obliged to employ him. No one else could
make such artificial pearls.
With Mr. Mount's assistance I had the
sales of the replicas quietly traced.
Nothing resulted from this, however. All
but two of the necklaces had gone to
persons above suspicion. These two had
been sold over the counter, one to a man,
one to a woman, and as the transactions
were more than two months old I could
not get a working description of the
buyers.
On another morning I went into Dunsany's,
the largest and best-known
jewelry-store in America, if not in the
world, and asked to see some one who
could give me some information about
pearls. I was steered up to a large, pale
gentleman wearing glasses, very well
dressed, of course. I heard him addressed
as Mr. Frear. I put on my most youthful
and engaging manner.
"Look here," I said, "I expect you'll
want to have me thrown out for bothering
you, but I'm in a hole."
My smile disarmed him.
"What can I do for you?" he asked
politely.
"I'm a fiction-writer," I said. "I'm
writing a story about blue pearls, and
somebody told me there was no such
thing. Was he right?"
"Sometimes the black pearl has a
bluish light in it," said Mr. Frear; "but
it would take an expert to distinguish
it. Such pearls are called blue pearls in
the trade."
"I suppose you haven't got one you
could show me?" I said.
He shook his head.
"They rarely come into the market.
There is probably only one place in
New York where they can be found."
"And that is?"
"Mount's. Mr. Alfred Mount has a
hobby for collecting them. Naturally,
when a blue pearl appears, it is generally
offered first to him. You'd better go to
see him. He knows more about blue
pearls than any other man in the world."
"One more question," I said, fearing
lest I might wear out my welcome. "In
my story I have to imagine the existence
of a necklace of sixty-seven blue pearls
ranging in size from a currant down to
small pea, all perfectly matched,
perfect in form and luster. If there was
such a thing, what would it be worth?"
When I described the necklace I
received a mild shock, for Mr. Frear was
visibly affected by some sudden emotion.
Whether it was surprise, or consternation,
or something else, I could not
decide. The muscles of his large, pale face
never moved, but I saw his eyes contract
in a curious way. He smiled stiffly.
"I couldn't say," he said. "Its value
would be very large almost fabulous."
"Please give me some idea," I said,
"just for the sake of the story."
He moistened his lips.
"Oh, say half a million dollars. That
would not be too much."
I swallowed my astonishment, thanked
him, and made my way out.
Here was more food for cogitation!
Why should a few idle questions
throw the pearl expert at Dunsany's into
such visible agitation? I had to give it
up. Perhaps it was only a twinge of
indigestion, or a troublesome corn. Anyhow
I lost sight of it in the greater
discovery. Half a million dollars for the
necklace, and Miss Hamerton had told
me that buying it pearl by pearl it had
cost her about twenty-six thousand!
V
MEANWHILE
there was an idea going
through my head that I had not quite
nerve enough to disclose to my client. It
must be remembered that though I was
making strides, I was still green at my
business. I was not nearly so sure of
myself as my manner might have led
you to suppose.
To my great joy, Miss Hamerton herself
broached the subject. One afternoon
she said, apropos of nothing that had
gone before:
"I'm sorry now that I introduced you
to my friends; and yet I do not see how
I could have seen you without their
knowing it."
"Why sorry?" I asked.
She went on with charming diffidence
how was one to resist her when she
pleaded with such a modest and winning
air?
"I have thought if it would not tie
you down too closely that you might
take a minor rôle in my company."
My heart leaped, but of course I was
not going to betray my eagerness if I
could help it.
"As to your friends having seen me,"
I said, "that doesn't make any difference.
Disguise is part of my business."
"Then will you?" she eagerly asked.
I made believe to consider her suggestion
doubtfully.
"It would tie me down," I said.
"Oh, I hope you can arrange it," she
insisted.
"Could it be managed without exciting
comment in the company?"
"Easily. I have thought it all out.
I have an assistant stage-manager, who
plays a small part. By increasing his
duties behind, I can in a perfectly natural
way make it necessary to engage
somebody to play his bit. I shall not
appear in the matter."
"I have had no experience," I objected.
"I will coach you."
"It would be better to put in an
operative."
"Oh, no! No one but you!"
"Well, I'll manage it somehow," I
said.
She sighed with relief, and started that
moment to coach me.
"You are a thug, a desperate character.
You appear in only one scene, a
cellar dimly lighted, so you will not be
conspicuous from in front. You must
practise speaking in a throaty, husky
growl."
In order to prolong the delightful lessons,
I pretended to be a little more
stupid than I was. I was engaged the
next day but one through a well-known
theatrical agency, where Miss Hamerton
had instructed me to apply for a job.
Just how she contrived it I can't say,
but I know I came into the company
without anybody suspecting that it was
upon the star's recommendation. In the
theater, of course, she ignored me.
Two nights later I made my début.
Mine was such a very small part that no
one in the company paid any attention
to me, but for me it was a big occasion,
I can tell you. In the way of business
I have several times faced death with a
quieter heart than I had upon first
marching out into view of that thousand-headed
creature across the footlights.
With the usual egotism of the amateur
I was sure they were all waiting to guy
me; but they didn't, and I spoke my
half-dozen lines without disaster. I felt
as if the real me was sitting up in the
flies watching his body act down below.
Indeed, I could write several chapters
upon my sensations that night; but as
somebody else has said, that is another
story.
What is more important is the discovery
of my first piece of evidence.
At the end of the performance I was
crossing the quiet stage, on my way out
of the theater, when I saw a group of
stage-hands and some of the minor
members of the company by the stage
door, with their heads together over a
piece of paper. I joined the group,
taking care not to bring myself forward.
Another happened along, and he put the
question that I wanted to ask:
"What's the matter?"
"McArdle here found a piece of paper
on the stage with funny writing on it,"
said Richards. "It's some sort of a
mystery."
"Let's have a squint at it," said the
newcomer.
I looked over his shoulder. It was
a single sheet of cheap note-paper of
the style they call "dimity." It had
evidently been torn from a pad. It
seemed to be the last of several sheets
of a letter, and it was written in a cipher
which made my mouth water. I have a
passion for puzzles of this kind.
I give the cryptogram as I first saw it:
|
&FQZZDRR CV REW RIPN PFRBQ AT
HXV DGGZT EP FOBQ IVTCVMXK SJQ
TZXD EA UTI ZK.
S CEDBBWYB SWOCNA VMD Y&F GC
AVSNY NCA &MW&M&L. HZF EDM HYW
ZUM IKQ BSCOAIIQVV ZXK FJOP WOD.
KWX DWVXJ. LEE FVTHV G&HJT LSZAND
EBCC BFKY NCAFP VEDFET. BSQ
ZWVXJ YXM II PL GC DCR FPBV
EA&BO ULS RLZQ WB NELJ KZNEDLKDUAA.
CSQVE VDEV FBACP! S'WX OS
QQTB EHHZXY.
J.
|
On beholding this apparently meaningless
assortment of letters, I had no proof
that it had anything to do with my case,
but I had a hunch. The question was
how to get possession of it without showing
my hand. I kept silent for a while,
and let the others talk.
Naturally, as the finder of the paper,
my excitable friend McArdle who did
not know me, of course, in my present
character took a leading part in the
discussion. The principals of the
company had not yet emerged from their
dressing-rooms. My opportunity came
when McArdle stated in his positive way
that it was a code, and that it was not
possible to translate it without having
the code-book.
"A code is generally regular words,"
I suggested mildly, as became the newest
and humblest member of the company.
"Nobody would ever think up these
crazy combinations of letters. I should
say it was a cryptogram."
McArdle wouldn't acknowledge that he
didn't know what a cryptogram was, but
somebody else asked.
"Substituting one letter for another
according to a numerical key," I said.
"Easy enough to translate it, if you can
hit on the key."
One thing led to another, and soon
came the inevitable challenge.
"Bet you a dollar you can't read it!"
cried McArdle.
I hung back until the whole crowd
joined him in taunting me.
"Put up or shut up!" cried McArdle.
The upshot was that we each deposited
a dollar with old Tom, the door-keeper,
and I took the paper home.
It was one of the most ingenious and
difficult cryptograms I had ever tackled,
and the sun was up before I got it. Here
is a transcription:
|
disposed of and your share of the money is
here whenever you want to get it.
I strongly advise you not to leave the company.
You say she has not discovered her loss.
All right. But these phony pearls soon lose
their luster. She might get on to it the same
night you hand in your resignation. Then
good night! I'll be back Monday.
J.*
|
My hunch was more than justified by
the result. This was a richer prize than
I had hoped for.
*For
the benefit of those of curious minds,
I will give the key to the cryptogram. The simplest
form of this kind of puzzle is that in which every
letter has a certain other letter to stand for it.
It may be the one before it, the one after it, or a
purely arbitrary substitution. In any case the
same letter always has the same alias. That is
child's play to solve.
I soon discovered that I was faced by something more
complex. Observe that in one place
"night" appears as "EA&BO," whereas in the next line
it is "FBACP." Company" masquerades in this extraordinary
form "&MW&M&L." Here was a jaw-breaker!
To make a long story short, I discovered, after
hundreds of experiments, that the first letter
of the first word of each sentence was ten letters
in advance of the one set down; the second letter
eleven letters ahead, and so on up to twenty-five,
then begin over from ten. With each sentence,
however short, the writer began afresh from ten.
He added to the complications by including the
character "&" as the twenty-seventh letter of the
alphabet.
The fragmentary sentence at the top of the page held
me up for a long time until I discovered
that the first letter was twenty-three numbers in
advance of the right one. Several mistakes on
the part of the writer added to my difficulties.
|
VI
IN
my experience I have found that
in adopting a disguise it is no less
important to change one's character than
one's personal appearance. As the new
member of Miss Hamerton's company I
called myself William Faxon. I appeared
as a shabby-genteel little fellow, with
lanky hair, and glasses. The glasses were
removed only when I went on the stage
in the dark scene. Over my bald spot
I wore a kind of transformation that my
friend Oscar Nilson furnished. It combed
into my own hair, was sprinkled with
gray, and made me look like a man on
the shady side of forty somewhat in need
of a barber.
The character I assumed was that of
a gentle, friendly sort of nonentity who
agreed with everybody. The people of
the company mostly despised me, and
made me a receptacle for their egotistical
outpourings. They little guessed how
they bored me.
When I joined the company it had
been agreed between Miss Hamerton and
myself that thereafter she had better
come to my office on Fortieth Street to
hear my reports. It was her custom to
call nearly every afternoon about five
o'clock. She insisted on hearing every
detail of my activities, and listened to
the story from day to day with the same
anxious interest.
Since she had first broken out in my
presence it seemed as if she did not mind
letting me see her feelings. Indeed, I
guessed that it was a relief to this
high-strung woman, who was so much in the
lime-light, to let herself go a little. Her
implied confidence was very grateful to
me. She never gave me the key to her
anxiety in so many words, but by this
time I was beginning to guess the
explanation, as I suppose you are too.
When I had deciphered the cryptogram,
I went to bed in high satisfaction.
I knew now that I was on the right track.
The man, or woman, of whom I was in
search was in Miss Hamerton's company!
I slept until afternoon. Miss Hamerton
had not expected to call that day,
so I rang her up to tell her that I had
news. She said she couldn't come, but
the coast was clear, and could I come to
her?
I found her pale and distrait.
"Not bad news?" she asked apprehensively.
"I'm not equal to it!"
"How do I know what you would
consider bad or good?" I objected; but
she ignored my question.
When I explained the circumstances of
the finding of the cryptogram, and
showed her my translation, I received
another surprise. A sigh escaped her;
an expression of beatific relief and gladness
came into her face. The roses
returned to her cheeks. She jumped up.
"You're a welcome messenger!" she
cried. "Oh, I'm happy now! I won't
worry any more! I know!"
I did not understand her at all, and I
suppose I looked blank, for she laughed
at me.
"Don't mind me," she said. "You're
on the right track. You'll soon know
everything!"
She moved around the room, humming
to herself like a happy girl. She buried
her face in a bowl of roses, and caressed
them tenderly.
"If I knew who had sent them," I
thought, "perhaps it would give me a
clue."
"Stay and have dinner with me here,
Mr. Enderby," she said suddenly, to my
surprise. "I was going to a party, but
I will send regrets. I don't want to be
with any of them. I'm so happy! I
should either have to hide it, or to
explain it. I want to be myself for a
while."
I did not require much persuasion. It
was like dining in fairy-land! I shall
never forget that hour as long as I live.
We were alone, for the unpleasant Mrs.
Bleecker, thinking that Miss Hamerton
was dining out, had gone off to some
friends of hers. By tacit consent we
avoided any reference to the case.
I went home to disguise myself, and
then proceeded to the theater. I had
already photographed the cryptogram,
and put the negative in my safe.
McArdle was lying in wait for me, and I
allowed him to drag it out of me that
I had not been able to solve the puzzle.
He collected the stakes in high glee.
The paper was passed from hand to
hand until it literally fell to pieces. No
one could make anything out of it, of
course. I encouraged the others' talk,
helped to circulate the cryptogram, and
watched from behind my innocent pieces
of window-glass for some one to betray
himself; but I saw nothing. The
conviction was forced on me that I had a
mighty clever antagonist to deal with.
During my long waits I loitered from
dressing-room to dressing-room, and let
the members of the company talk. As
opportunities presented themselves I
quietly searched for the first page of the
letter, though I supposed it had been
destroyed.
The field of my explorations comprised,
in all, eighteen actors and actresses and
a working force of six. However, the
fact that punctuation played a part in
the cryptogram, not to speak of the
choice of words, convinced me that both
the writer and the reader of it must be
persons of a certain education, so I
eliminated the illiterates.
This reduced me at one stroke to five
men and four women. Of these, two of
the men were obviously too silly and vain
to have carried out such a nervy piece of
work, while one of the women was a
dear old lady who had been on the stage
for half a century, and the other was a
mere bit of dandelion-fluff. These
exclusions left me with five Roland
Quarles, George Casanova, Kenton
Milbourne, Beulah Maddox, and Mary
Gray.
Roland Quarles I have already
mentioned. Both he and Casanova were
actors of established reputation, who had
been in receipt of handsome salaries for
some seasons. I scarcely considered
them.
Milbourne was my dark horse. He
was a hatchet-faced individual, homely,
uninteresting, unhealthy looking. His
fancy name sat on him strangely. He
looked more like a John Doe or a Joe
Williams.
Miss Maddox was a large woman of
the gushing-hysterical type; Miss Gray
a quiet, well-bred girl who kept to herself
a great deal.
While I concentrated on these five, I
did not overlook the doings of the others.
With all the men I was soon on excellent
terms, but the women baffled me. Women
naturally despise a man of the kind I
pretended to be. You can't win a woman's
confidence without making love to
her, and that was out of my line.
On Thursday night of the week after
I joined, Miss Beauchamp, who played
a maid's part, spoiled a scene of Miss
Hamerton's by missing her cue. It was
not the first offense, and she was fired
on the spot. This girl was the bit of
fluff I have mentioned.
Her departure suggested an idea to me.
There was no time to be lost, so I went
to Miss Hamerton at once. In my
humble, shabby character I meekly
spoke the part for a "friend."
Miss Hamerton was startled. She said
she would consider the application.
I
had no sooner got home that night
than she called me up to ask what I had
meant. I did not want to argue with her
over the telephone, so I asked her to see
me next morning. She said she would
come to my office as soon as she had
breakfasted.
Using all my powers of persuasion, it
took me more than an hour to win her
consent to my putting a woman operative
in the vacant part. Not only did I have
to have a woman in the company, I told
her, but I needed an assistant outside.
Not by working twenty-four hours a day
could I track down all the clues that
opened up. She would never have given
in, I believe, had it not been for the
mysterious comfort she had found in the
cryptogram.
The rehearsal was called for three
o'clock, and I had barely time to get
hold of my girl. This brings me to
Sadie Farrell, a very important character
in my story.
I had been "keeping company" with
Sadie for a little while. At least, I
considered that I had been doing so, though
she denied it. She scorned me. That
was her way.
She had always lived at home. Her
father and mother were dead, and she
lived with her sister. Like almost all
home girls, she was crazy to see a bit
of life. Her heart was set on being a
high-class detective. That was the only
hold I had over her. I had promised her
that the first time I had occasion to
engage a woman operative I would give
her a chance.
Moreover, she was full of curiosity
concerning Miss Hamerton, whose
praises I was always singing. Sadie was
never jealous, though. She had a wise
little head, and she knew the difference
between the feeling I had for that
wonderful woman and my regard for her
attractive self.
Sadie was at home when I got there.
"What, you?" she said, pretending to
bored to death. "I thought I was
going to have a peaceful afternoon."
I couldn't resist teasing her a little.
"Cheer up," I said. "I'm going right
away again. I thought maybe you'd like
to come out with me."
"On a week-day!" she said scornfully.
"Run along with you, man! I've got
something better to do."
"I bet I can make you come," I said.
She tossed her head.
"You know very well you can't make
me do anything."
"I bet you a dollar I can make you
come."
She smelled a mouse.
"What are you getting at?" she
demanded.
"I wanted to take you to the theater."
"It's too late for a matinée."
"How about a rehearsal?"
Her eyes sparkled.
"A rehearsal! Wouldn't that be
wonderful? Oh, you're only fooling me!"
"Not at all," I said. "Miss Hamerton
herself invited you."
"Miss Hamerton! Shall I see her?"
"Sure. And what's more, you are the
person to be rehearsed."
She simply stared at me.
"She offers you a small part in her
company," I drawled.
"Me!" said the amazed Sadie. "Why,
how how did it happen?"
"I happen to need an operative in the
company, and I got her to take you."
"When is it?" she gasped.
"Three o'clock," I said.
It was twenty minutes to three. Sadie
rushed to me and gave my arms a little
squeeze.
"Oh, Ben, you darling fool!" she cried,
and ran for her hat before I could follow
up my advantage.
On the way down-town I coached her
as to what she must do. She mustn't let
it be suspected that she had never acted
before. She must tell the stage-manager
that she had been sent by Mrs. Mendoza,
the agent. She must ask forty dollars a
week and come down to thirty. She must
complain that her part was much inferior
to those she had been playing. After the
rehearsal she was to come to my office,
where Miss Hamerton would meet us and
give her a lesson in making up.
Sadie simply nodded her wise little
head like a bird, and said nothing. Only
at the prospect of receiving instruction
from the wonderful Irma Hamerton herself
did her eyes gleam again. I didn't
have time, just then, to tell her what
she had to know about the case. I let
her get out at the station nearest the
theater, while I went on to my office. It
was safer, of course, for me not to appear
at the rehearsal as the new maid's
sponsor.
I had no doubt of Sadie's acquitting
herself creditably. If I had had, no
matter what my personal feelings were,
I would not have employed her in this
case. She was as wise as she was pretty.
Under those scornful airs she was as
true as steel, and she had the rare
faculty of keeping a close tongue in her
head.
She had a sort of Frenchy look, with
long, narrow eyes and pointed chin.
This just happened to suit the part of
the maid in the play. If I had looked a
month I could not have found a better
girl, not to speak of the pleasure I
anticipated in working side by side with
Sadie Farrell. Moreover, I was hoping
by my conduct of the case to force her
to admit that I was not quite such a
bonehead as she liked to make out.
Everything went off as planned.
Sadie, I heard, made a good impression
at rehearsal, and at a nod from the star
the stage-manager engaged her. Miss
Hamerton told me afterward that Sadie
went through the rehearsal like an old
stager.
They arrived at my office separately,
and the lesson in making up was given.
Miss Hamerton laid herself out to be
kind to Sadie. I think she scented a
romance. Anyhow, inside of five minutes
Sadie was hers, body and soul. Like
myself, the girl would have stopped at
nothing to serve her.
After that I told Sadie all the facts
in the case. In her woman's way of
reasoning she arrived at the same
conclusion that I had reached.
"It's the work of a clever gang," she
said. "They have evidently put a
member, or perhaps more than one, into
the company."
"But what a lot of trouble to take,"
I objected, "since the necklace was not
known to be of any great value!"
"Somebody knew!"
"If they knew about blue pearls, they
must also have known that Mount was
the only buyer."
"Perhaps they were shipped to India,"
she said. "I suspect that East Indians
have forgotten more about pearls than
Mr. Mount ever knew."
The very first time she appeared on
the stage Sadie justified my confidence
in her powers. Notwithstanding the
excitement of making her début, she
managed to keep her wits about her. Women
are wonderful that way.
During her only scene on the stage
she had to wait at one side for a few
minutes. While she stood there, close
to the canvas scene, she heard a bit of
a conversation on the other side of it.
Unfortunately she had not been in the
company long enough to recognize the
voices.
"Yes, sir, forty thousand dollars," a
man said.
"Go away!" was the reply. "How
do you know?"
"I saw it entered in his bank-book.
I was in his dressing-room, and I saw
it on the table. When he went out I
looked in it out of curiosity. He
deposited forty thousand dollars last
week."
"Where do you suppose he got it?"
"Search me!"
"Some fellows have all the luck, don't
they?"
Then the voices passed out of hearing.
VII
I HAVE
not mentioned Mr. Alfred
Mount lately, though I saw him
frequently on matters connected with the
case. He was an interesting character.
It was only by degrees that I realized
what an extraordinary man I had to deal
with.
After our first meeting his manner
toward me completely changed. He
appeared to be sorry for his bruskness
on that occasion. Now he was all frankness
and friendliness nothing crude,
you understand, but just the air of one
man of the world toward another. I
could not but feel flattered by it.
While we worked together so amicably,
however, our mutual antagonism
remained. I knew that he still resented
Miss Hamerton's having employed me
without consulting him, and I believed
that he was working independently. For
my part, you may be sure, I told him
nothing but what I had to. I found no
little pleasure in blocking his subtle
questioning by my air of clumsy innocence.
I told him nothing about the
cryptogram.
I never visited his office again. Sometimes
he dropped into mine, his bright
eyes wandering all around, but more
often I called on him at his apartment
over the store. He occupied the second
floor of the beautiful little building which
housed his business.
There was nothing of the old-fashioned
shopkeeper about his place. Indeed, I
never saw such splendor before or since;
but it took some time to realize that it
was splendor, for there was nothing
showy or garish there. Everything he
possessed seemed to be the choicest of
kind in the world. Even with my
limited knowledge, when I stopped to
figure up the value of what I saw, I
was staggered. I saw enough at different
times to furnish several millionaires.
Mount had a strange love for his
treasures, in which there was nothing of
the usual self-glorification of millionaires.
He had a modest, almost a tender
way of referring to his things, and of
handling them. From his talk I learned
quite a lot about tapestries, rugs,
Chinese porcelains, enamels, ivories, and
gold workmanship. He did not care for
paintings.
"Too insistent!" he said. "Paintings
will not merge."
The man was full of queer sayings,
which he would drawl out with an eye
to the effect he was creating on you. He
never allowed daylight to penetrate to
his principal room a great hall two
stories high, lined with almost priceless
tapestries.
"Daylight is rude and unmanageable,"
he said. "Artificial light I can order to
suit my mood."
Another odd thing was his antipathy
to red. That color almost never appeared
in his treasures. In the tapestries, greens
predominated; the rugs were mostly old
blues and yellows.
The great room never looked quite the
same. Sometimes it was completely
metamorphosed overnight. I understood,
from something he let fall, that the other
floors of the building were stored with
his treasures, which he had brought
down from time to time and arranged
according to his fancy.
The only servant that I ever saw was
a silent Hindu, who sometimes appeared
in gorgeous Oriental costume, incrusted
with jewels. It occurred to me that that
was how his master ought to dress. The
sober clothes of a business man, however
elegant, were out of place on Mount.
Long afterward I learned that it was his
custom, when alone, to array himself like
an Eastern potentate, but I never saw
him dressed that way.
One day, to see what he would say,
I asked him pointblank what was the
value of Miss Hamerton's lost pearls. He
consulted a note-book.
"She paid me at different times
twenty-five thousand seven hundred
dollars for them."
"I know," I said quietly. "But what
was their value?"
He bored me through and through
with his jetty eyes before answering.
Finally he smiled he had a charming
smile when he chose and spread out his
hands in token of surrender. His hands
were too white and beautiful for a
man's.
"I see you know the truth!" he said.
"Well, I am in your hands. I hope
you will keep the secret. Nothing but
unhappiness could result from its becoming
known."
"I shall not tell," I said. "But
how much are they worth?"
"I really couldn't say," he said
frankly. "There is nothing like them in
the world nothing to measure them by,
I mean. It would depend simply on how would
far the purchaser could go."
"Wouldn't they be difficult to dispose
of, when stolen?"
"Very. That is our hope in the
present situation."
"Do you suppose the thief knew what
he was getting?"
"I doubt it. To distinguish the blue
cast is a fad of my own. They are
ordinarily classed simply as black pearls."
Later he returned to the subject of his
own accord.
"Since you have learned or guessed
so much, I should tell you the whole
story, for fear you might have a doubt
of Miss Hamerton."
"No danger of that!" I said quickly.
He looked at me strangely. I suppose
he was wondering if I presumed to rival
him there.
"She, of course, has no suspicion of
the true value of the pearls," he went
on smoothly. "Nor does she guess that
they were in my possession for years. I
let her have them one or two at a time.
Do you blame me?" He spread out his
expressive hands again. They are the
most beautiful pearls in all the world,"
he murmured softly; "the fruit of all my
knowledge and my patience. Pearls in a
case are not pearls. Only when they lie
on the warm bosom of a woman are
pearls really pearls. I wished to have
the pleasure of seeing Irma Miss Hamerton
wearing them. I could not give
them to her; so I devised this innocent
deception. Wouldn't you have done the
same?"
Perhaps I would. Anyhow, I didn't
feel called upon to argue the matter with
him, so I kept my mouth shut. His
long eyes narrowed.
"If you had seen her wear the real
pearls, you would understand better,"
he continued dreamily. "They glowed
as if with pleasure in their situation. Her
skin is so tender that the veins give it
a delicate bluish cast exactly matched
by my exquisite pearls."
To me there was something what
would you say? something delicately
indecent in the way Mount spoke of Miss
Hamerton. It made me indignant deep
down; but I said nothing.
"I am a fool about precious stones,"
he went on, with that disarming smile.
"No shopkeeper has any right to indulge
in a personal passion for his wares. Pearls
come first with me, then diamonds.
Would you like to see my diamonds?"
Without waiting for any answer, he
disappeared into the next room. I heard
the ring of a burglar-proof lock.
Presently he returned bearing a little black
velvet cushion, on which lay a necklet of
gleaming fire.
"I am no miser," he said, smiling.
"Quantity does not appeal to me, nor
mere bigness only quality. This is my
collection seventy-two stones, the result
of thirty years' search for perfection."
I gazed at the fiery spots speechlessly.
Before taking this case I had never
thought much of precious stones. They
had seemed like pretty things to me, and
useless; but upon looking at these I
could understand Miss Hamerton's
reference to her pearls as living things.
These diamonds were alive devilishly
alive. They twinkled up at Mount like
complaisant little slaves outvying one
another to flatter their master. The
sheer beauty of them caught at one's
breast. Their fire bit into a man's soul.
Seeing it, I could understand the ancient
lusts to rob and murder for bits of stone
like these.
"Aren't they lovely things?" Mount
murmured.
"Yes, like a snake!" I blurted out.
He laughed.
"That feeling seems strange to me. I
love them!"
"Put them away!" I said.
He continued to laugh, and caressed
the diamonds with his long, white fingers.
Wouldn't you like to see Miss Hamerton
wear them?" he asked softly.
"No, by Heaven!" I cried. "She's a
good woman!"
He laughed more than ever. It was
a kind of Oriental laugh, soft,
unwholesome.
"I'm afraid you suffer from the
Puritan confusion of the ideas of beauty
and evil," he said.
"Perhaps I do," I said shortly.
"Some other time I will show you my
emeralds and sapphires," he said.
I hated the things, yet I was eager to
see them. That shows the effect they
had on one.
"How about rubies?" I asked.
He shivered.
"I do not care for rubies. They are
an ugly color."
I welcomed the chill, raw air of the
street after that scented chamber. After
the elegant collector of jewels my crude
and commonplace fellow citizens seemed
all that was honest and sturdy. I was
proud of them.
Yet I enjoyed going to Mount's
rooms, too. One could count on being
thrilled in one way or another.
VIII
AS
time went on I dismissed the
women of the company from my
calculations, though I still kept an eye on
them through Sadie. Of the men I had
most to do with two, Roland Quarles
and Kenton Milbourne the first because
I liked him, and the second because I
didn't like him.
Though I had no evidence against him,
the idea that Milbourne was the thief
had little by little fixed itself in my
mind. It was largely a process of
elimination. All the others had proved
to my satisfaction, in one way or
another, that they couldn't have committed
the robbery. With the exception of
Quarles, I felt sure that none of them
had the brains to conceive such a plan,
or to hide it afterward.
I didn't know whether Milbourne had
the brains; indeed, the more I went with
him the less I knew. Yet he did not
seem to have a guard over himself. I
laid several ingenious little traps to get
a sight of his bank-book, but did not
succeed in finding out even if he
possessed such a thing.
Milbourne was a pasty, hatchet-faced
individual, very precise and conscientious
in his manner, and exceedingly talkative.
That was what put me off. He talked
all the time, but I learned nothing from
it. With his sharp, foxy features and
narrow-set eyes, he had the look of a
crook, right enough; but after all looks
are not so important as disposition, and
this heavy, dull-witted, verbose fellow
was the epitome of respectability.
He was not at all popular in the
company, principally, I fancy, because of
his ostentatious nicety. He bragged of
the number of baths he took. He was
not a "good fellow." He never joked
or joined in pranks with the crowd. In
the play he took the part of a brutal
thug, a sort of Bill Sikes, and played
it well, though there was nothing in his
appearance to suggest the part. He was
the fox, not the bulldog. Imagine a man
with the appearance of a fox and the
voice of a sheep, and you have Kenton
Milbourne.
Shortly after I joined the company I
was assigned to share his dressing-room.
Milbourne told me that he had requested
the stage-manager to make the change,
because he objected to the personal habits
of his former roommate. So I had every
opportunity to observe him.
A lot of good it did me! He talked
me to sleep. He would recite all the
news of the day, which I had just read
for myself, and would comment on it like
a country newspaper. You simply could
not stop him.
Roland Quarles I cultivated for a
different reason. I did not suspect him.
As a popular leading juvenile, his life
had been lived in the public eye for
years, and he could have had no reason
for being a thief, unless through utter
depravity.
I liked him. I was working hard, but
one can't be a detective every waking
minute. I sought out Roland to forget
my work. I had started disinterestedly
with the whole company, but I gradually
came to feel an affection for the leading
man, principally because, much to my
surprise, he seemed to like me.
I have said that he seemed to be a
morose young man. Such was my first
impression. He did not make friends
easily. He was hated by all the men of
the company, because he despised their
foolish conceit, and took no pains to
hide it. But the women liked him; I
may say that all women were attracted
to him. He did not plume himself on
this. Indeed, it was a matter of great
embarrassment to him, and he avoided
the women no less than the men.
Quarles was exceedingly good-looking
and graceful, and there was not the
slightest consciousness of it in his bearing.
In that respect he stood almost
alone among young actors. He had a
proud, reserved, bitter air. As a novelist
might say, he seemed to cherish a secret
sorrow. His mail at the theater was
enormous. He used to stuff it in his
pockets without looking at it.
I got my first insight into his character
from his treatment of me. Of the
entire company he and Milbourne were
the only members who never made my
meek insignificance a target for unkind
wit. Of them all, only this high and
mighty young man never tried to make
me feel my insignificance.
For a while he ignored me; but after
a time it seemed to strike him that I
was being put upon by the others,
whereupon in an unassuming way he
began to make little overtures of friendship.
I was charmed.
One night, after the show, he offered
me a cigar at the stage door, and we
walked down the street smoking and
chatting until our ways parted. He was
not on during the second act, and after
my brief scene I got into the habit of
stopping a while in his room before I
went up to change.
He had good sense, and it was worth
while talking to him. We became very
friendly. He was only a year or two
younger than I, but to me he seemed like
a mere kid.
One night, in the middle of our talk,
he said:
"You're not like an actor. You're
human!"
"Don't you like actors?" I asked
curiously.
"It's a rotten business for men," he
said bitterly. "It unsexes them. But
here I am! What am I to do about it?"
I learned, as I knew him better, that
notwithstanding the adulation of women
or, perhaps, because of it this popular
young actor led an exemplary life. The
dazzling palaces of the Great White Way
knew him not. It was his custom to go
home after the show, have a bite to eat
in solitude, and read until he turned in.
One night he invited me to accompany
him. He had a modest flat in the
Gramercy Square neighborhood, with an
adoring old woman to look after him.
The cheerful fire, the shaded lamp, the
capacious easy chair, gave me a new
conception of bachelor comfort. Books
were a feature of the place.
"Pretty snug, eh?" he said, following
my admiring eyes.
"Well, you're not like an actor,
either," said I.
He laughed.
"After the theater, this is like
heaven!"
"Why don't you chuck it?" I asked.
"You're young."
He shrugged.
"Who wants to give an actor a regular
job?"
We had scrambled eggs and sausages.
I stayed for a couple of hours talking
about the abstract questions that young
men love to discuss. When I left, however,
he was as much of an enigma to
me as when I arrived. He was willing
to talk about anything under the sun
except himself. Without appearing to, he
foiled all my attempts to draw him out.
Hard upon this growing friendship it
was a shock to learn from Sadie, as a
result of her work during the days, that
it was Roland Quarles who had deposited
forty thousand dollars in his bank.
"Impossible!" I said in surprise.
"I got it direct from the bank," she
said. "It's the Thirteenth National. He
deposited forty thousand in cash
April 6."
My heart sank.
"But that doesn't prove that he stole
the pearls," added Sadie, who shared my
liking for the young fellow.
"I hope not," I said gloomily; "but
if it wasn't he, then our promising clue
is no good."
"Possibly he won it on the Stock
Exchange."
"Not impossible," I returned, "but
highly improbable."
"Well, I can think of ten good reasons
why he couldn't have been the thief,"
Sadie persisted. She had too warm a
heart, perhaps, to make an ideal
investigator.
That night Roland asked me home
to supper again. This was about a week
after the first invitation. The old woman
had gone to bed, and he cooked creamed
oysters in a chafing-dish, while I looked
at the newspaper.
"Wouldn't it be nice to have white
hands waiting at home to do that for
you?" I suggested teasingly.
"Never for me!" he said with a bitter
smile.
"Why not?"
"What I can have I don't want. What
I want I can never have."
"You never can tell," I said
encouragingly.
I was thinking what a superb couple
the handsome young pair made on the
stage. It seemed low to cross-examine
him while he was preparing to feed me,
but there was no help for it.
"The market is off again," I said
carelessly. "Chance for somebody to
make money!"
"How can you make money when the
market is going down?" he asked
innocently.
If the innocence was assumed, it was
mighty well done. However, I told
myself his business was acting.
"By selling short," I said.
"I never understood that operation."
I explained it.
"Too complicated for me!" he said.
"Moreover, I consider the whole business
of speculation immoral."
I agreed, and switched to talk of solid,
permanent investments. He immediately
looked interested.
"You seem to know something about
such matters," he said. Suppose a man
had a little money to invest, what would
you advise?"
"Your savings?" I asked with a smile.
"Lord, I couldn't save anything! No,
I have a friend who has a few thousands
surplus."
Being anxious to believe well of him,
I snatched at this straw. Perhaps a
friend had entrusted him with money to
invest. Hardly likely, though, and still
more unlikely that it would be handed
over in cash. I gave him some good
advice, and the subject was dropped.
Later we got to talking about acting
again. He said in his bitter way:
"I shall soon be out of it now, one
way or the other."
"What do you mean?" I asked.
"I mean to leave the stage at the
close of this engagement, or before."
"What are you going to do?"
"Goodness knows!" he said, with his
laugh. "Go to the deuce, I expect!"
I couldn't get anything else out of
him. It was all mysterious enough. He
sounded utterly reckless when you got
below the surface, but somehow it was
not the recklessness of a crook.
Worse was to follow. First, however,
I must put down how the situation stood
with Milbourne, because I shall not
return to him for some time.
Kenton Milbourne! I have to smile had
every time I write it, the fancy appellation
was so unsuitable to the tallow-cheeked,
hatchet-faced talker who bore
it. I believed that Milbourne had stolen
the pearls, and I worked hard to justify
my belief, but without being able to
lay anything bare against him.
Every night he talked me to a stand-still.
He seemed to be a man totally
devoid of individuality or temperament
a mere windbag. But I told myself
that dulness is the sharper's favorite and
most effective disguise. His talk was a
little too vapid to be natural, and once
in a while I received an impression that
he was anything but dull.
One night I said to him, as Roland had
said to me:
"You don't seem like an actor. How
did you get into this business?"
"Drifted into it," he said. "Always
knew I could act, but was too busy with
other things. I had an attack of typhoid
in Sydney, four years ago, which
shattered my health. When I was getting
better, a friend gave me the part of a
human monster to play, just to help me
pass the time. I made a wonderful hit
in it. They wouldn't let me stop. Since
then I've never been idle. I haven't any
conceit, so they offer me the horrible
parts."
"Sydney?" I said.
"I was raised in Australia. I came
to America last fall because there is a
wider field for my art here."
I put this down in my mind as a lie.
I do not know the Australians, but I
suppose they have their own peculiarities
of speech, and this man talked good New
York.
I asked idly what parts he had played
in Australia. He named three or four,
and I made careful mental notes of them.
I thought I had him there.
The next day I consulted old files of
an Australian stage paper in the rooms
of the Actors' Society. To my chagrin,
I found his name, Kenton Milbourne,
listed in the casts of the very plays he
had mentioned.
I was far from being convinced of his
genuineness, however. I wrote to
Australia for further information.
Under cover of my meek and gentle
air, I continued to watch him closely. I
could have sworn that he was not aware
of it which shows how one may fool
oneself. His apparent stupidity still
blocked me.
One night, when he lifted the tray of
his trunk, I saw the edge of a book
underneath.
"Anything good to read?" I said,
picking it up before he could stop me.
A peculiar look chased across his face,
which was anything but stupidity. The
title of the book was "The World's
Famous Jewels."
"Aha, my man!" I thought. "That's
not in my line," I said, dropping the
book.
This was how matters stood when
things began to happen which drove all
thought of Kenton Milbourne out of my
mind.
The next day Sadie came into the
office to report, looking so confoundedly
pretty that it drove the detective business
clean out of my mind for the moment.
What with her thirty dollars a week
from the theater and her additional
salary as an operative, which Miss
Hamerton insisted on her taking, Sadie
was in comparatively affluent circumstances,
and for the first time in her life
she was able to dress as a pretty girl
ought. With her spring hat and suit, her
dainty gloves and boots, all purchased at
good shops, she was as smart a little lady
as you'd find from one end of New York
to the other.
"You look sweet enough to eat!" I
said, grinning at her like a Cheshire cat.
"Cut it out!" she said, with her high
and mighty air. "It's business hours.
I'm operative S. F."
"What's that for swell figure?"
"Wait till after the whistle blows!"
"After hours you're Miss Covington,
the actress, and I'm not allowed to know
you."
"Well, there's Sunday," she suggested.
"But this is only Tuesday."
"I've got to show respect to my boss,
haven't I?"
"What if I kissed you anyhow?"
"I'd box your ears!" she said, quick
as lightning.
And she would. I sighed, and came
back to earth. It was not that I was
afraid of the box on the ears, but she
was right, and I knew it. As soon as
I started that line of talk, I resigned
my proper place as the boss of the
establishment.
"What's new?" I asked.
"I found out something interesting
to-day," she said. "Miss Hamerton's
in love with Roland Quarles."
"I guessed that long ago," I said
calmly.
Sadie was much taken aback.
Evidently she had expected to stun me.
"You never said anything about it,"
she told me, pouting.
"No I left it for you to find out for
yourself."
"She never believed he had anything
to do with the robbery," Sadie added,
with a touch of defiance.
"Then why was she so distressed in
the beginning?"
"Well, there was something that
would have looked like evidence to a
man," Sadie said scornfully; "so,
naturally, she didn't want to tell you."
"Did she tell you?" I asked, a little
huffed at the thought that Sadie was
getting deeper in the confidence of my
lady client than I.
"Yes, to-day. She didn't tell me about
to the other.
her feelings, of course. I guessed that
part."
"What is this mysterious thing?"
"She only told me because since she
saw the cryptogram she knows there
couldn't be anything in it."
This was getting denser instead of
clearer.
"What was there about the cryptogram
that eased her mind?" I asked.
"She knows that it couldn't have been
written to Roland Quarles, because he
has no idea of leaving the company."
"Oh, hasn't he?" I thought to
myself. How strangely loving women reason!
Aloud I said: "Now for the
thing that a mere man would have
considered evidence!"
"Don't try to be sarcastic," said
Sadie. "It doesn't suit you."
"Who's forgetting that I'm the boss
now?" I said severely.
She made a face at me, and went on:
"It seems that Miss Hamerton and
Roland Quarles had a bet on about
pearls." This was something new. I
pricked up my ears. "She laughed at him
because he thought he knew something
about jewels, and she says he scarcely
knows a pearl from an opal. They
argued about it, and she finally bet him
a box of cigars against a box of gloves
that he wouldn't be able to tell when
she wore the genuine pearls. That was
how she came to wear them the night
they were stolen."
"The deuce it was!" I exclaimed.
"But he has never spoken about it
since. She believes that he has forgotten
all about the bet."
I walked up and down the room,
considering from every view-point what this
might mean.
"You needn't look like that," said
Sadie. "We know he didn't do it.
Wouldn't he have paid his bet if he had?"
"It seems so," I answered, not knowing
what to believe.
"There's another reason," said Sadie,
"sufficient for a woman."
"What's that?"
hastily returned all the papers to his
He's in love with her. He's making
love to her now. He couldn't do that
if he had robbed her."
"I don't know," I said grimly. "If
he could rob her, I suspect he could make
love to her."
At the theater that night, I devoted
my attention pretty exclusively to
Quarles. Heaven knows I was not
anxious to ruin the young fellow, but
Sadie's communication, taken in
connection with the cryptogram and with
that mysterious cash deposit, was beginning
to look like pretty strong evidence.
This being my first case, I attached more
importance to "evidence" than I would
now.
I was in his dressing-room when he
left to go on for the third act. He had
only a short scene at the beginning, and
as he went out he asked me to wait till
he came off.
I watched him go with a sinking heart,
for I hated to do what I had to do. He
so handsome, so graceful, and, with
that burden on his breast, so invariably
kind to me, that I felt like a wretch.
Nevertheless, I told myself, for the sake
of all of us I had to discover the painful
secret that he was hiding.
I knew exactly how long I had before
he would return. I swung the door
almost shut, as if the wind had blown
it, and made a rapid, thorough search.
There was a pile of letters on his
dressing-table, as yet unopened. Nothing
suspicious there, and nothing in the
drawers of his dressing-table. There was
no trunk in the room.
His street-coat was on a form hanging
from a hook. I frisked the pockets.
There was a handful of letters and papers
in the breast-pocket. Shuffling them
over, I came upon a sheet of dimity
note-paper without an envelope. Opening
it, I beheld a communication in cryptograph
exactly like the other.
I could hear the voices on the stage.
Quarles was about to come off. I
hastily returned all the papers to his
pocket, as I had found them, except the
cryptogram. That I put in my own
pocket.
When he came in we picked up our
conversation where we had dropped it.
As soon as I got home I made haste
to translate my find. I had saved the
numerical key I used before. I instantly
found that it fitted this communication
and this is what I got:
|
I. has known of her loss for a couple of
weeks. She has put two detectives in the
company Faxon and the girl Covington. I have
this straight. Watch yourself.
J.
|
So this was why Quarles cultivated
my friendship, I thought, feeling all the
bitterness of finding myself betrayed!
I could no longer doubt my evidence.
My friendly feeling for the young fellow
was swept away.
IX
THE
next morning I awoke with a
leaden weight on my breast. I had no
zest in a day which brought with it the
necessity of telling Miss Hamerton what
I had learned.
I put off the evil moment as long as
possible. During the morning Sadie
came into the office for instructions. I
had not the heart to tell her. I sent
her over to Newark on a wild-goose chase
in connection with some of McArdle's
activities.
I was not expecting Miss Hamerton
that afternoon. At three o'clock I called
her up, and said that I had something
important to report. She said that she
was expecting a visitor, and did not wish
to go out. Could I come to her?
This pleased me, for since I had to
strike her down it was more merciful to
do it at home. I went.
She had never looked lovelier. Her
room was a bower of spring flowers, and
in a pale-yellow dress she was like the
fairest daffodil among them. She was
full of happiness, her cheeks glowing, her
eyes sparkling. It did not make my task
any easier. Indeed, I angrily rebelled
from it; but she was already asking me
what was the matter.
I told her bunglingly enough, Heaven
knows of the second cryptogram, and
where I had found it. It crushed her
like a flower trodden underfoot.
Presently, however, she began to fight.
"The first thing the thief would do
when he found himself under surveillance,"
she faltered, "would be to try
to divert your attention to someone
else."
"He would hardly choose one
ordinarily so far above suspicion as the
leading man," I said reluctantly.
"He may have known, since he knows
so much, that you were already suspicious
of Ro of the other."
She could not get Quarles's name out.
I felt like the criminal myself, trying to
convince her against her heart.
"Taken by itself, the letter would not
be conclusive; but with the other
things "
"What other things?"
"Well, his provoking you by a bet
to wear the genuine pearls."
"There's nothing in that," she said
quickly. "If he had had an ulterior
motive, he would have spoken of the bet
since. He would have lost it, wouldn't
he, to keep us from suspecting?"
I conceded the reasonableness of this
&3151; taken by itself.
"But his bank-account?"
"Bank-account?" she repeated, startled.
We had not told her of this.
"On April 6 Mr. Quarles deposited
forty thousand dollars in cash in the
Thirteenth National Bank."
All the light went out of her face.
"Oh! Are you sure?" she gasped.
"I have seen the entry in his
pass-book. I verified it at the bank."
Her heart still fought for him.
"But my necklace was worth only
the twenty-five thousand; and a thief would
never be able to realize its full value."
I shrugged. Naturally, I did not care
to add to her unhappiness by telling her
that the pearls were worth half a million.
She thought from my shrug that I meant
to convey that if her lover had been
guilty of one theft, why not others? It
crushed her anew. She had no more
fight left in her. She sank back dead
white and bereft of motion.
"He's coming here," she whispered.
"What shall I say to him? What shall
I say?"
"Don't see him," I cried.
"I must! I promised."
I sat there, I don't know for how long,
staring at the carpet like a clown. The
telephone rang, and we both jumped as
at a pistol-shot. I offered to answer it,
but she waved me back. She went to
the instrument falteringly; but I was
surprised at the steadiness of her voice.
"What is it?" she asked.
"Let him come up," she said firmly.
By her white, stricken face, I knew
who it was. I jumped up in a kind of a
panic.
"I will have myself carried up to the
roof-garden, so that I won't meet him,"
I said.
"No, please!" she murmured. "I
want you here."
"But he must not meet me!" I cried.
"Wait in the next room." Her voice
broke piteously. "Oh, I must have some
one here some one whom I can trust!"
What was I to do? I obeyed very
unwillingly.
As soon as Quarles entered I found
that the transom over the door was
open, and I could hear everything that
passed between them. Of all the difficult
things that have been forced on
me in the way of business, that
half-hour's eavesdropping was as bad as any.
He must have been highly wrought up,
because he apparently failed to notice
her state. His very first speech was
tragically unfortunate. He spoke in a
harsh, strained voice, as if the painful
thing that he had kept hidden so long
was breaking out in spite of him.
"Irma, how soon can you replace me
in the cast?"
"Eh?" she murmured, and I could
imagine the painful start she suppressed.
"I want to get out. I can't stand it
any longer!"
"But why?" she whispered.
"I hate acting! It's not a man's
work."
"Have you just discovered that?"
asked with a little note of scorn, very
painful to hear.
"No," he said gloomily. "I've
always known it. If I had been left to
myself, I never would have acted; but
I came of a family of actors. I was
brought up to it. I kept on because it
was all I knew. It is only since I have
acted with you that it has become more
than I can bear."
"Why with me?" she whispered.
"Because I love you!" he said in a
harsh, abrupt voice.
"Ah!" The sound was no more than
a painful catch in her breath.
"Oh, you needn't tell me I'm a
presumptuous fool!" he burst out. "I
know it already. You don't know the
height of my presumption yet. I love
you! The silly make-believe of love
that I have to go through with you every
night drives me mad. I love you! I
am ashamed to make my living by
exhibiting a pretense of love!"
"It was your father's profession, and
your mother's," she murmured.
"They were the real thing," he said
gloomily. "They had a genuine call.
They loved their work. I hark back to
an earlier strain, I suppose. I have no
feeling for the stage. I hate the tinsel
and show and make-believe. I want to
lead a real life with you "
No man has any right to hear another
man bare his heart like this. I went to
the open window and leaned out. I had
forgotten Roland's supposed guilt. My
instinct told me that a guilty man could
not have spoken so.
Even on the window-sill, though I tried
not to hear, an occasional word reached
me. We were so high up that little of
the street noises reached us. By and by
I heard Roland say "money," and I was
drawn back into the room. I felt that
it was my business to hear this.
He was still pleading with his heart in
his voice.
"A month ago I would just have left
without saying anything to you. I don't
that I am fit for anything but acting.
I could not ask you to give it up
without having something else to offer
you. I suffer so to see you on the stage
your name, your person, your doings, all
public property! I cannot stand seeing
you show your lovely self to the applause
of those vulgar fools!"
"You are mad!" she whispered.
"I know but I have had a stroke of
luck!"
"Luck?"
"I have come into some money oh,
nothing much, but enough to give me a
start in some new country, if you could
come with me. Oh, I am a fool to think
it, but I had to tell you that I loved you.
You would be quite justified in laughing
and showing me the door. But I love
you! It seemed cowardly to go away
without telling you."
"You are asking me to give up my
profession?" she murmured unsteadily.
"I ask nothing. I expect nothing.
But if you could! You'd have to give it
up. It would kill me otherwise." He
laughed harshly. "Am I not ridiculous?
Tell me to go!"
"I am not so enamored of
make-believe, either," she murmured.
She was weakening! I trembled for
her. This wretched business had to be
cleared up before they could hope for
any happiness.
"If I loved you, I could give it up,"
she whispered; "but I am not sure!"
It was a glimpse of heaven to him.
"Irma!" He cried her name over and
over brokenly. "My dear love! Then
there is a chance I never expected
oh, don't raise me up only to cast me
down lower than before!"
I went to the window-sill again and
leaned out. There I was still when she
came in. She was trembling and breathing
fast.
"He has gone," she said. She led me
back into the outer room. She noticed
that the transom was open. "You
heard?" she asked.
"Some," I said uncomfortably; "more
than I wanted to. Have you promised
to marry him?"
She shook her head.
"I have promised nothing. I asked
for time."
"Good!" I said involuntarily.
She looked at me, startled.
"You heard!" she said defiantly.
"Were they the words of a guilty man?"
"Not if I know anything about human
nature," I replied promptly.
"Oh, thank you!" she said. She was
very near tears. "Anything else would
be unbelievable!"
"Give me one day more," I suggested.
"No! No!" she cried with surprising
energy. "I will not carry this tragic
farce any further. I hate the pearls now!
I would not wear them if I did get them
back. They are gone. Let them go!"
"But, Miss Hamerton " I persisted.
"Not another word!" she cried. "My
mind is made up!"
"I must speak," I said doggedly;
"because you as much as said that you
depended on getting honest advice from
me. You can't stop at this point. If you
marry Mr. Quarles, the fact that
you have suspected him, though it was
only for a moment, will haunt you all
your life. No marriage is a bed of roses,
and inevitably, when trouble comes, your
grim specter will rise and mock you. It
must be definitely laid in its grave before
you can marry the man!"
The bold style of my speech made her
pause. I had never spoken to her in that
way before.
"I hope you know it's not the job I'm
after," I went on. "I never had work
to do that I enjoyed less; but you put
it up to me to give you honest advice."
"I can't spy on the man I love," she
faltered.
"You can't marry the man you
suspect," I returned.
"I don't suspect him."
"The suspicious circumstances are not
yet explained."
"Very well, then I'll send for him to
and he will explain them."
I had a flash of insight into the
character of my young friend.
"No!" I cried. "If he knew that you
had ever suspected him, he would never
forgive you!"
"Then what do you want me to do?"
she cried.
"Give me twenty-four hours to
produce proofs of his innocence."
She gave in with a gesture.
(To be continued in the
September number of
MUNSEY'S
MAGAZINE)
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