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Gaslight Weekly, vol 01 #005

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from The New York Tribune,
Vol 77, no 26,005 (1918-jan-27), p03

On the Night Express


By Frederic Boutet
(1874-1941)


Translated by
 
William L. McPherson
            (1865-1930)

      Here is another of Frédéric Boutet's appealing little stories. It has a war atmosphere. It has a touch of sentiment in it, but of the grave, delicately refracted, unobtrusive sentiment which gives a distinctive color to most of Mr. Boutet's work. In this admirable manner he is a master; and no manner is better adapted than this is to the uses of the sort of war fiction in which he excels.

      He is the laureate, so to speak, not of the fighting men at the front, but of those who stay behind and wait, but who nevertheless have their part in the rear and in its emotions and sacrifices. In this story the element of rear emotion and sacrifice is slight. It is only a background. But the manner of it is as effective as if it dealt with a mood or a situation more essentially tragic.


THE train left the station in Paris. In her corner Agnes gazed fixedly through the car window at the streets and houses, fading out in the twilight. But her tearful eyes saw little or nothing. She had firmly resolved not to betray the least lack of courage; but when, after the excitement of her departure, she found herself settled in her place in the compartment, she felt more keenly than ever how completely alone in the world she was, and suffered an attack of uncontrollable depression, her mind brooding over the dependent and narrow bread-winning existence, among absolute strangers, which would begin for her at the end of her journey.

      But she mastered this fit of weakness and, after waiting for a few minutes until her eyes had become dry, she turned her head toward the interior of the compartment and sat up very prim and straight, enveloped in her travelling cloak and with her veil drawn close over her face, to which she sought to impart an expression of gravity, just as she had studied to suppress any touches of attractiveness in her toilet and her coiffure. She was very young and good looking, and the directress of the austere school which had found a place for her had told her that cultivating attractiveness was by no means a good habit for a governess.

Her Neighbor
Was a Soldier

      Suddenly she noticed that her neighbor was watching her. He was a soldier, who just before the train started had taken the only vacant seat in the compartment — the one beside her. Agnes, glancing sidewise, saw that he had a clean cut, youthful countenance, with blond hair and beautiful eyes. He seemed to be shy and looked at her very furtively. Once their fugitive glances crossed and both reddened.

      They discovered at this moment that a stout lady who sat opposite them had fixed her eyes on them in emphatic disapproval. That caused an instinctive exchange of looks and established a bond of sympathy between them. After the first train stop the stout lady fell asleep, and it was she who once more served to break the ice for them, for she slept with an air of wrathfulness and in her slumber talked irrelevantly about her domestic affairs. Agnes and her neighbor looked at each other with eyes sparkling with gayety, and five minutes later they were talking together, exchanging commonplaces about the weather, the train, the darkness of the night and other casual subjects.

He Invited Agnes
To Go With Him

      The train halted again. This time there was to be a stop of ten minutes, and the young man invited Agnes to go with him to get something warm at the station buffet. Taken by surprise, the young girl declined with dignity. But he seemed to be so unhappy at the thought of having offended her that a moment later she accepted his invitation, which, moreover, because it had the air of an adventure, attracted her greatly. He got out first. Agnes supported herself on his arm in order to jump to the footboard, and they ran together across the platform, delighted, holding hands like two children. They returned the same way, in a great rush cheered and refreshed by the coffee they had hastily swallowed. They scaled the footboard and sank breathless into their seats. They felt as much like comrades now as if they had known each other ever since infancy.

      Agnes said something gayly about their just having missed letting the train start away without them. But her companion told her, with a retrospective feeling of alarm which he tried to conceal, that that would have been a very serious thing for him. He explained that he was returning to his I depot, after a convalescent leave, and that he had waited until the very last moment, so that the least delay would make him exceed the limit of his furlough. Agnes was much impressed by the idea that he had risked something on her account, and she let him understand as much.

A Furious Rain Beat
Upon the Windows

      The train rolled on through the black night, and now a furious rain beat upon the windows. The four other travellers who remained in the wagon slept. Agnes and her companion, seated side by side in their corner, were silent for a while, but an intimacy very tender — tenderer perhaps than when they conversed — was cementing itself between them.

      After some minutes the young man leaned over and said:

      "You were very sad when you left Paris. Why was that?"

      She gave a little start, but didn't answer.

      "Oh, I beg your pardon," he returned in a freezing manner. "I was very indiscreet; that did not concern me."

      She believed that she detected a little note of jealousy in his voice. So she lifted her eyes frankly and told him why she was unhappy. She was an orphan. An aged relative had brought her up, who, after spoiling her very much, had died four months before, leaving her alone in the world and without a cent. So it was necessary for her to earn a living, and after a sojourn in a school where they took in governesses without situations she had been lucky enough to find a place in a family in the provinces. She was going there. And she had wept because all this seemed cruel, and she hadn't had time to resign herself to it But from this on she would be self-contained and courageous.

He Was Deeply
Moved With Pity

      She stopped, almost ready to weep again. Her companion did not answer at first. He was deeply moved with pity and tenderness for this delicate and courageous girl, fighting single-handed against a hostile world.

      "I, too, believe me, am alone in the world," he said at last. "Or nearly alone. I have now left only an old uncle. But he is eccentric, and I see little of him. I, too, like you, am alone — without a claim on any one's affection. But, no, no, don't cry again" —

      He had taken her hand and, bending over toward her, he whispered words of consolation which were becoming words of love, and Agnes, trembling, forgot, as he did, that they had not even known each other a few hours before, and found, as he did, that life was now taking on a new aspect.

      But suddenly a traveller awoke and asked where they were. The young man let Agnes's hand drop and looked out through the door. In his emotion he had not noticed that the train had already been standing for a couple of minutes in a station. All at once his eyes fell on the name of the place, printed in letters under the lantern of a street lamp.

He Knew He Would
Never See Her Again

      He leaped up. It was the junction at which he was to change cars, and the train was already whistling as a signal for starting. Thunderstruck, he grabbed his baggage from the rack dashed for the door and jumped out of the train just as it. was getting it motion. He stumbled, picked himself up, and at that instant realized that he knew neither the name nor the address of the young girl whom he had just left in a panic, and that she, too did not know his name or address. He started after the train, calling out a the top of his voice. But the car, against the door of one of the compartments of which he thought he saw a face pressed, was already too far away, and he remained on the platform, dumfounded and in despair comprehending that there was no chance now that he would ever find her again, and that she would be for him only a memory, which the train, as it rolled away, was already projecting into the past.


[THE END]