KIPLING THROUGH SMOKED GLASSES
By GEORGE A. DORSEY
(1868-1931)
I WAS
so foolish about Kipling that I told
myself it was worth the trip to India to be
able to read Kim on the spot it was so
much more real than when I had read it at
home. In Bombay I visited the compound where
stood the house in which Kipling was born
when his father presided over the School of
Fine Arts. The house itself has been replaced
Fine Arts. The house itself has been replaced
by a more modern structure, but Kipling's old
nurse was still about the place. In the Club
at Lahore, where Kipling had gone as a child
with his father when he had become Director
of the Museum, they showed me the billiard cue
that Kipling used. In the newspaper office
they told me many tales of Kipling. Especially,
how he would leave the Club each night with
bits of conversation and slang scribbled in
pencil on his cuffs, and sometimes over the bosom
of the boiled shirt all Englishmen wear to all
clubs of India.
I myself it was worth the trip to India to be
But my chief interest in India at the time
was Indian unrest, and the object of my visit
to Lahore was to meet a famous old Indian
journalist and leader in the fight against British
rule. After we had exhausted politics it sud-
denly occurred to me that the old man, being a
journalist, might know Kipling. He did, he
was "ashamed" to say.
And then he started. I got a new, an
unexpected, and an unexpurgated version of
Kipling. It was the Indian's point of view
Kipling through smoked glasses!
Here's the gist of it. Kipling grew up in
Lahore as a guttersnipe. His boyhood
companions and playmates were the children of
cooks and sweepers, the lowest of the low
castes. From them he learned all of India he
knew, except the side of Society and of the
ruling caste as found in the cities and at Simla.
Kipling, quite unlike his father, never took any
interest in or had any appreciation for the
intellectual, artistic, and spiritual sides of Indian
life. Hence it is that whatever of Indian life
Kipling put into his word pictures is from
the point of view of an outcast, or of a drunken
sergeant, or of a shameless woman of the
world of the British ruling caste.
"And," concluded the Indian, "no writer on
India has ever done so much to defame India,
or to cause it to appear in so false and vicious
a light, as Kipling. We hate Kipling! But we
can forgive him; what can you expect from one
of his upbringing, what good can come out of
barracks and the mouths of sweepers?"