(THE TIMES' DAILY STORY.)
THE GREAT OPERA-
HOUSE HOLD-UP.
BY J. P. COUGHLAN.
(1875-?)
[Published under special arrangement with the
S. S. McClure Co., New York.]
THE Oaktree Operahouse was
unusually crowded. The people of
Oaktree are a drama-loving
community, and the Watson-Duval
Double Star Combination was giving
"Hamlet." The manager estimated that
there was at least $500 in the house,
his prosaic way of summing up the
value of the audience from the
box-office point of view. There was a good
deal more than $500 in the house, from
the practical financial view of Gentleman
George, known in the adjacent
mountains, where he made his
headquarters, as the leader of the red-caps.
Gentleman Geo had a reputation
that branched out into several of the
adjoining States. His methods of
brigandage were more novel than the
unoriginality of his sobriquet would
lead you to believe, but then he was
not responsible for the adjective.
Gentleman George visited Oaktree
occasionally, but a discreet population
refused to recognize him, and the
authorities were conveniently unaware of
his identity. Hence it was quite in
order, as with other personages, that he
should attend the performance at the
operahouse incog.
The curtain had fallen on the second
act, and the audience was for
settling itself back into its seats when a
tall, bearded, distinguished-looking
gentleman in evening dress appeared
before the curtain and made a sign to
the audience, begging their attention.
The audience craned forward in their
seats.
The man raised an impressive hand
and began:
"Ladies and gentlemen, I trust that
I shall have your undivided attention.
We are about this evening to vary the
programme slightly, and shall, with
your kind indulgence, offer a little
comedy, part of whose action will take
place in the body of the house. I think
it well to warn you beforehand that it
would be best for you to keep your
seats. If you obey this injunction you
will be in no danger whatever, but
should you become restive serious
accidents may happen.
"Now let me add that it will be
impossible for a single person to leave
the theater until the finish of the little
comedy. If don't rise from your seats,
please you will look toward the
exits you will see that that they are very
carefully guarded."
Eyes were instantly turned to the
doors. At each door on the two tiers
that included floor and balcony of the
little theater stood a resolute-looking
man holding a brace of revolvers and
wearing a red cap. A tendency to
scream on the part of the women was
repressed by the impressive hand of
the man on the stage, who had this
time also donned a red cap.
"No danger, friends," he called out in
an amiable voice. Allow me to introduce
myself: I am Gentleman George,
and you know my reputation. If you
are reasonable you will not be touched;
that is to say, you will only be touched
mildly, for what valuables you may
happen to have upon you. The good
people behind the scenes are safe in
the hands of my comrades. All
communication with the outside is cut off.
Every door is guarded. There is not a
head in this house that is not covered
by a red-cap gun. As long as you sit
still you are in no danger, but the
moment you try to get gay or stow away
any of your goods or put us to any
trouble you will hear "
The ominous elipsis at the end of the
last sentence had all its intended
effect.
"Now that we understand each
other." continued the speaker, "our
collectors will pass among you, and I
trust you will remember that their
time is valuable and cannot be wasted
on disputes. In the mean time there is
no reason why the music should not
continue. If you please, Mr. Professor,
strike up."
To the somewhat tremulous music of
the piano three men moved systematically
through the lower floor of the
theater, each one carrying, slung over
his shoulder, a large leather bag, such
as is carried by postmen, while three
others similarly equipped, went at the
same time through the balcony.
"Ladies may keep their wedding
rings," called out the chief robber, who
shouted out from time to time orders to
his men and to the audience from the
stage.
"Please, sir, may I keep this? It was
my mother's," said a young girl in a
tremulous voice from the balcony as
she held up a small brooch in her hand
for Gentleman George to see.
"Certainly, my child. Jim, see that
the young lady keeps her brooch."
Presently requests of various kinds
began to come from all parts of the
house. In some cases the requests
were granted immediately, others as
curtly refused, and still others
compromised. Some citizens were allowed
to keep trinkets they valued by giving
an "I.O.U." for their value. this
unexpected turn to the proceedings gave
the affair a flavor of the auction-room,
and in the excitement, coupled
with the peeps into the heart secrets
of others, the women forgot in a great
measure their fright. This result was
greatly contributed to by the good-natured
way in which the thieves did
their robbing.
"Now, my friends," said Gentleman
George, after a pause, "everything
seems to be moving serenely, and while
the rest of the collection is being made,
with hour kind permission I will
endeavour to entertain you with a little
song. Can you accompany me in 'The
Suwanee River,' professor?"
"Certainly, sir."
"If you please then."
In a sweet, rich, tenor voice the
brigand began the old song. The
audience listened in amazement, and
as he finished the first verse, filled the
house with genuine applause.
By the time the song was finished
the collectors had completed their
work, and only the guards on the
doors remained. The leader again
raised his hand for silence.
"Ladies and gentlemen," he said. "I
thank you for your kind attention. Our
little comedy has passed off successfully,
and now, before we wind up, let
me give
you a few final instructions.
Our guards are still outside the various
doors and shall remain there until we
have a good start. That will be
let us say, fifteen minutes. Any one
who attempts to leave before that time
will be shot dead at the door and you
know I have a habit of keeping my
word. To simplify matters I intend to
place this alarm clock" here he held
up an alarm clock, which was handed
to him from the wings, to the view of
the audience "here on this table. It
is set to go off at ll o'clock. Don't
leave your seats until you hear it. If
you do "
Before the sentence was finished
Gentleman George had vanished.
The people in the house looked at
one another wonderingly. No one
dared to be the first to tempt fate by
getting up and leaving the theater.
Yet each man there believed that the
threat was a "bluff," intended to give
the robbers a chance to get safely
away. They were disinclined, however,
to put their belief to the test, and no
one stirred. While matters were still
in this indeterminate state a piercing
cry of "Fire" rang out throughout the
house, and was immediately taken up
on several sides.
The managers of the theater at this
outcry rushed on the stage and
shouted words meant to be calming to
the audience. They succeeded in a
measure in allaying the panic which
was beginning to get under way, but
many people overwrought by the evening's
happenings rushed from the theater
out into the street. Then it was
discovered conclusively that there was
no fire, but that the scare raised by
the cry had added to the start
already gained by Gentleman George
and his band.
By noon on the day following the
Sheriff was ready to start for the
haunts of Gentleman George with a
strong posse, when the Mayor sent for
him, and read this letter, found on his
doorstep that morning.
Dear Mr. Mayor: A dastardly
outrage has been perpetrated on my good
name and incidentally on the people
of your city by the ruffians who held
up the operahouse last night. The
person calling himself Gentleman
George was only an impersonator. I
believe I know the scoundrel, and by
the time you receive this, myself and
a few trusty comrades will be on his
trail. The good citizens of Oaktree
cannot be more grieved than I am over
the regrettable occurrence of last evening.
To show you that I was not the
man who held up the operahouse, I
enclose you my latest photograph,
made in San Francisco: You can
depend upon it that the evildoers of last
night will be brought to justice,
|
Yours in good faith,
GENTLEMAN GEORGE. |
|
The Sheriff did not like the cool,
impertinent tone of the letter, and
thought that, owing to his long
immunity, Gentleman George was
inclined to jest with the township. The
Mayor thought differently. It was, he
said, a very courteous note, and he
could not see that it in any way
reflected on the town. Sides were taken,
and the next election was fought out
largely on the question of the good
faith or otherwise of Gentleman
George. Though the election went in
favor of the Mayor and the upholders
of Gentleman George, to this day it
has not been determined whether or
not it was that polished bandit who
had held up the operahouse.
(Copyright, 1901, by A. S. Richardson.)