OUR DEBT TO INSECTS.
by Grant Allen
(1848-1899)
IT
has often occurred to me as a curious fact, when I have been
watching the bees and butterflies in an English meadow of a
summer morning, that no one should ever yet have adequately realised
(so far as I know) the full amount of human indebtedness to those
bright and joyous little winged creatures. I do not mean our practical
indebtedness to insects for honey and bees-wax, silk and satin,
cochineal and lacquer, or a hundred other such-like useful products:
these, indeed, are many and valuable in their own way, though far
less so than the tribute we draw from most of the other great classes
of animal life. But there is one debt we owe them so out of all
proportion to their size and relative importance in the world, that it
is strange it should so seldom meet with due recognition. Odd as
it may sound to say so, I believe we owe almost entirely to insects
the whole presence of colour in nature, otherwise than green; without
them our world would be wanting in more than half the beautiful
objects which give it its greatest æsthetic charm in the appreciative
eyes of cultivated humanity. Of course, if insects had never been,
the great external features of the world would still remain essentially
the same. The earth-sculpture that gives rise to mountains and
valleys, downs and plains, glens and gorges, is wholly unconnected
with these minute living agents; but all the smaller beauties of
detail which add so much zest to our enjoyment of life and nature
would be almost wholly absent, I believe, but for the long-continued
æsthetic selection of the insect tribes for innumerable generations.
We have all heard over and over again that the petals of flowers
have been developed mainly by the action of bees and butterflies;
and as a botanical truth this principle is now pretty generally
accepted; but it may be worth while to reconsider the matter once
more from the picturesque and artistic point of view by definitely
asking ourselves, How much of beauty in the outer world do we owe
to the perceptions and especially to the colour-sense of the various
insects?
If we could suddenly transplant ourselves from the gardens and
groves of the nineteenth century into the midst of a carboniferous
jungle on the delta of some forgotten Amazon or some primæval
Nile, we should find ourselves surrounded by strange and somewhat
monotonous scenery, very different from that of the varied and
beautiful world in which we ourselves now live. The huge foliage
of gigantic tree-ferns and titanic club-mosses would wave over our
heads, while a green carpet of petty trailing creepers would spread
luxuriantly over the damp soil beneath our feet. Great swampy flats
would stretch around us on every side; and instead of the rocky or
undulating hills of our familiar Europe, we should probably see the
interior country composed only of low ridges, unlifted as yet by the
slow upheaval of ages into the Alps or Pyrenees of the modern
continent. But the most striking peculiarity of the scene would
doubtless be the wearisome uniformity of its prevailing colours.
Earth beneath and primitive trees overhead would all alike present
a single field of unbroken and unvarying green. No scarlet flower,
golden fruit, or gay butterfly would give a gleam of brighter and
warmer colouring to the continuous verdure of that more than
tropical forest. Green, and green, and green, again; wherever the
eye fell it would rest alike upon one monotonous and unrelieved
mass of harsh and angular verdure.
On the other hand, if we turn to a modern English meadow, we
find it bright with yellow buttercups and purple clover, pink-tipped
daisies and pale-faced primroses. We see the hedges white with
may or glowing with dog-roses. We find the trees overhead covered
with apple blossom or scented with horse-chestnut. While in and
out among the beautiful flowers flit equally beautiful butterflies,
emperors, admirals, peacocks, orange-tips, and painted ladies. The
green of the grassy meadow and the blue of the open sky serve only
as backgrounds to show off the brighter hues of the beautiful blossoms
and the insects that pay court to them incessantly.
To what is this great change in the general aspect of nature due?
Almost entirely, we may now confidently conclude, to the colour-sense
in the insects themselves. The lovely tints of the summer
flowers, and the exquisite patterns on the butterfly's wings, have alike
been developed through the taste and the selective action of these
humble little creatures. To trace up the gradual evolution of the
insect colour-sense and its subsequent reactions upon the outer
world, we must go back to a time when neither flower nor butterfly
yet existed.
In the carboniferous earth we have reason to believe that almost
all the vegetation belonged to the flowerless type the type now
represented amongst us by ferns and horse-tails. These plants, as
everybody knows, have no flowers, but only spores or naked
frondlets. There were a few flowering plants, it is true, in the
carboniferous world, but they belonged entirely to the group of conifers,
trees like the pines and cycads which bear their seeds in cones, and
whose flowers would only be recognised as such by a technical
botanist. Even if some stray archaic members of the true flowering
groups already existed, it is, at any rate, almost certain that they
must have been devoid of those gay petals which distinguish the
beautiful modern blossoms in our fields and gardens.
A flower, of course, consists essentially of a pistil or seed-producing
organ, and a certain number of stamens or fertilisers. No seed can
come to maturity unless fertilised by pollen from a stamen. But
experience, and more especially the experiments of Mr. Darwin,
have shown that plants produced from the pollen of one flower
applied to the pistil of another are stronger and more vigorous than
plants produced from the stamens and ovules of a single blossom.
It was to obtain the benefit of this cross-fertilisation in a simple
form that flowers first began to exist; their subsequent development
depends upon the further extension of the same principle.
The pincs and other conifers, the grasses and sedges, and the
forest trees, for the most part depend upon the wind to waft the
pollen of one blossom to the pistil of the next. Hence their flowers
generally protrude in great hanging masses, so that the breeze may
easily carry off the pollen, and that the pistils may stand a fair
chance of catching any passing grain. Flowers of some such types
as these were doubtless the earliest of all to be evolved, and their
colours are always either green or plain brown.
But wind-fertilisation is very wasteful. Pollen is an expensive.
product to the plant, requiring much useful material for its
manufacture; and yet it has to be turned loose in immense quantities on
the chance that a stray grain here and there may light upon a pistil
ready for its reception. It is almost as though the American farmers
were to throw their corn into the Atlantic in hopes that a bushel or
two might happen to be washed ashore in England by the waves and
the Gulf Stream. Under such circumstances, a ship becomes of
immense importance; and nature has provided just such ships,
ready-made for the very work that was crying out to them. These
ships were the yet undifferentiated insects, whose descendants were
to grow into bees, rosebeetles, and butterflies.
Already, in the carboniferous world, winged insects had begun to
exist. Some of these must soon have taken to feeding among the
hanging blossoms of the first flowering plants. Insects are fond of
the soft and nutritious pollen; and it would seem at first sight as
though they could therefore be only enemies to the plants which
they visited. But as they went from flower to flower in search of
food, they would carry pollen from one to the other, clinging to their
heads, feet, or legs; and so would unconsciously aid in fertilising the
blossoms. Though some of the pollen would thus be eaten up, yet
the saving effected by the substitution of the insect as a ship, for the old
wasteful mode of dispersal by the wind, would more than compensate
for the loss thus brought about. Accordingly, it would naturally
happen that those flowers which most specialised themselves for
fertilisation by means of insects, would gain a considerable advantage
over their neighbours in the struggle for existence. For this purpose,
their outer leaves ought to assume a cup-like shape, instead of the
open clusters of the wind-fertilised type; and their form should be
directed rather to saving the pollen than to exposing it; while their
efforts must chiefly be expended in attracting the insects whose visits
would benefit them, and repelling all others. Those flowers which
chanced to vary most in these directions would best succeed from
generation to generation; and their descendants would finally become
so modified as to be fitted for fertilisation by insects only.
It would be needless here to allude once more to the changes in
shape and arrangement thus brought about by the action of the
insects. The attraction of perfume and honey, the devices of adaption
and modification, by which plants allure or detain their insect
visitors, must be taken for granted, and we must pass on to our
proper subject of colour.
If, when insects were first beginning to visit flowers, there was
any special difference by which the pollen-bearing parts could be
easily distinguished from the other organs of the plant, we may be
sure that it would be seized upon by the insects as a guide to the
existence of food, and would so be further strengthened and
developed in all future plants of the same species. Now, we have reason
to believe that just such a primitive difference does exist between
flowers, and leaves or stems; and that difference is one of colour.
Even if we look at the catkins and grass-blossoms of our own day,
we see that they differ slightly in hue from the foliage of their
respective plants. But it seems not improbable that colour may have
appeared much more frequently and abundantly in primitive
wind-fertilised flowers than in those of our own epoch; because
wind-fertilised flowers are only injured by the visits of insects, which would
be attracted by bright colour; and hence natural selection would
tend to keep down the development of brilliant tints in them, as soon
as these had become the recognised guides of the insect eye. In
other words, as flowers have now split up, functionally speaking, into
two great groups, the wind-fertilised and the insect-fertilised, any
primitive tendency towards the production of bright leaves around
the floral organs will have been steadily repressed in the one group
and steadily encouraged in the other.
Did such a primitive tendency ever exist? In all probability,
yes. The green parts of plants contain the special colouring matter
known as chlorophyll, which is essential to their action in deoxidising
the carbonic acid of the atmosphere. But wherever fresh energies.
are being put forth, the reverse process of oxidation is going on; and
in this reverse process the most brilliant and beautiful colours make
their appearance. We are all familiar with these colours in autumn
leaves; and we may also observe them very conspicuously in all
young shoots or growing branches, especially in the opening buds of
spring, the blanched heads of rhubarb or seakale, and the long sprays
of a sprouting potato, grown in a dark cellar. Now, the neighbourhood
of the floral organs is just such a place where energies are being
used up and where colour is therefore likely to appear. Mr. Sorby
has shown that the pigment in petals is often exactly the same as that
in the very young red and yellow leaves of early spring, and the
crimson foliage of autumn, in the same plant. It would be
impossible to go fully here into the evidence which might be offered on
this head an immense mass of facts shows us that colour is always
tending to appear in the leaves which immediately surround the
floral organs; and that this tendency has been strengthened by
insect selection of the most conspicuous blossoms, until it has finally
resulted in the brilliant corollas of such flowers as those which we
now cultivate in our modern gardens.
But all this takes for granted the very fact with which we are now
concerned, the existence and growth of an insect colour-sense. How
do we know that insects can distinguish colours at all? For
otherwise all this argument must be fallacious, and the presence of bright
corollas must be due to some other cause.
Of all insects, bees are the most confirmed flower-haunters, and
they have undergone the greatest modification in relation to their
visits in search of honey. We might expect, therefore, that bees
would exhibit a distinct colour-sense; and this is actually the case.
Sir John Lubbock's experiments clearly prove that bees possess the
power of distinguishing between red, blue, green, and yellow. Being
anxious to see whether insects were really attracted by the hues of
flowers, he placed slips of glass, smeared with honey, on paper of
various colours; and the bees upon which he experimented soon
learnt to return to one particular colour only, even though both the
paper and the honey were occasionally transposed. Thus we have
direct evidence of the clearest sort that the higher insects do actually
perceive the difference between various colours. Nay more, their
perception in this respect appears to be closely analogous to our
own; for while the bees had no difficulty in discriminating between
red, orange, or yellow, and green, they did not seem to perceive so
marked a distinction between green and blue. Now this fact is very
like that which we perceive to hold good with the human eye, for all
of us are much more likely to confuse green and blue than any two
other hues.
If, then, bees and wasps, as Sir John Lubbock has shown, and
butterflies, as we may infer from other observations, do possess this
developed colour-sense, we may ask, how did they obtain it? In
all probability it grew up side by side with the growth of bright-hued
flowers. Just as those blossoms which exhibited the greatest
tendency to display a brilliant whorl of tinted leaves, in the neighbourhood
of their stamens and pistils, would best succeed in attracting
insects, so, in return, those insects whose eyes were most adapted
for distinguishing the pink and yellow blossoms from the green
foliage, would best succeed in procuring food, and would thus live
down their less gifted competitors.
It may reasonably be asked, How could an animal without a
colour-sense develop such a faculty by the aid of natural selection
alone? At first sight the question seems indeed a difficult one; but
it is possible, I think, to suggest a way in which it may have happened.
Colours, viewed objectively, consist of æther waves having different
rates of vibration. In an eye devoid of the colour-sense, all these
æther-waves would doubtless set up the same sort of action in all the
ends of the nerves, and would therefore produce exactly the same
general sensations. But if in certain eyes there was the slightest
tendency for some of the nerve-terminals to respond specially to the
oscillations of one particular order, while others of the nerve-terminals
responded rather to oscillations of a different order, there would be
the first ground-work for the evolution of a colour-sense. If this
diversity of action in the nerve-ends proved of no service to the
animal, it would go no further, because those individuals who
possessed it would not be favoured beyond those who did not. But
if it proved useful, as it undoubtedly would do to flower-haunting
insects, natural selection would ensure its survival and its constant
increase from generation to generation. Even colour-blind people
amongst ourselves can be taught by care and attention to discriminate
slightly between the hues which they at first confuse; and if we
were to choose out, time after time, from a colour-blind race, all those
individuals who were best able to see these distinctions, we should,
no doubt, at last succeed in producing a perfect colour-sense. This
is just what natural selection seems to have done in the case of bees
and butterflies.
Yet it may be urged that insects perhaps had a colour-sense before
they began to haunt flowers, and that this sense enabled them to
pick out the brighter blossoms from the very beginning. Such an
hypothesis would make the origin of beautiful flowers a much more.
simple matter; but we can hardly accept it, for a very good reason.
Before the existence of flowers there was probably nothing upon
which insects could exert a colour-sense. Now we know that no
faculty ever comes into existence until it is practically of use to its
possessors. Thus, animals which always live fixed and immovable
in one place never develop eyes, because eyes would be quite useless
to them; and even those creatures which possess organs of vision in
their young and free state, lose them as soon as they settle down for
life in a permanent and unchangeable home. So, unless insects had
something to gain by possessing a colour-sense, they could never get
one, prophetically, so to speak, against the contingency of flowers at
some time or other appearing. Of course, no creature would develop
such a sense merely for the sake of admiring the rainbow and the
sunset, or of observing gems and shells or other such bright-hued
but useless bodies. It is in the insect's practical world of
food-hunting and flower-seeking that we must look for the original impulse
of the colour-sense.
Again, throughout the whole animal world, we see good reasons
for concluding that, as a matter of fact, and apart from such deductive
reasoning, only those species exhibit evident signs of a colour sense,
to whom its possession would be an undoubted advantage. Thus,
in this very class of insects, bees, as Sir John Lubbock's experiments
show us, do undoubtedly distinguish between red, orange, yellow,
and green. Butterflies also are attracted by colours, and will, in
particular, fly down to objects of the same hue as their own mates.
Of course, bees and butterflies, always living among flowers, especially
require a good sense of colour; and so they quite accord with our
expectation. Wasps, again, are omnivorous creatures, living partly
upon animal and partly upon vegetable food. Everybody knows that
they will quite impartially feast upon a piece of raw meat, or upon
the sunny side of a peach. Now, wasps, as Sir John Lubbock proved,
can also distinguish colours; but they are somewhat less guided by
them, apparently, than are bees; and this again bears out the
same generalisation. Ants are much more miscellaneous in their
diet, they have no wings (roughly speaking), and they do not visit
flowers except by the casual process of walking up the stems. Hence
a colour-sense would be of little or no use to them and Sir John
Lubbock's experiments seem to show that they scarcely possess one,
or only possess it in a rudimentary form. Once more, moths fly
about in the dusk, or quite at night, and the flowers which lay
themselves out to attract them are white or pale yellow, since no others
are visible in the evening. Thus a perception of red, blue, or orange
would probably be useless to them: and Mr. Lowne has shown that
the eyes of nocturnal insects differ from those of diurnal insects in a
way closely analogous to that in which the eyes of bats and owls
differ from those of monkeys and humming-birds. These differences
are probably connected in both cases with an absence of special
organs for discriminating colours; and we shall see a little later on
that while the day-flying butterflies are decked in crimson and orange
to please the eyes of their fastidious mates, the night-flying moths
are mostly dull and dingy in hue, or reflect the light only in the same
manner as the night-flowering blossoms among which they seek
their food. Ascending to the vertebrates, the birds are the class
which live most in a world of fruits or flowers; and Mr. A. R.
Wallace has pointed out that birds on the whole need to perceive
colour more than any other animals, because their habits require that
they should recognise their food at a considerable distance. But
birds possess a very large proportion of certain nerve-terminals called
the cones, which are three times as numerous in their eyes as the
other kind, called rods. These cones are almost universally believed
to be the special organs of colour-perception, and in mammals they
are actually less numerous than the rods, which are supposed to be
merely cognizant of light and shade. Nocturnal birds, such as owls,
have very few cones, while nocturnal mammals have none. Again,
the yellow spot in the retina, consisting almost entirely of cones, is
found in all diurnal birds; but amongst mammals it occurs only in
the fruit-eating class of monkeys, and in man. So that on the whole
we may say the positive evidence justifies us in believing that a
highly-developed colour-sense exists only in those animals which
would be decidedly benefited by its possession. And for these
reasons it seems improbable that insects ever developed such a
faculty until the need for it arose among the beautiful flowers.
Now that we have arrived at this theoretical conclusion, let us
hark back again for a while to the reactions which the colour-sense,
thus aroused, produced upon the flowers which gave it birth.
We may take as a capital example of an insect-fertilised flower,
an English dog-rose. Compare this mentally with the wind-fertilised
blossoms, such as grasses and catkins, and it is at once obvious that
the great difference between them consists in the presence of a
coloured corolla. No wind-fertilised plant ever has a whorl of gay
petals; and though the converse is not quite true, yet almost all
insect-fertilised plants are noticeable for their brilliant tints of red,
white, blue, or yellow. The structures in which these pigments
reside have no function whatsoever, except that of attracting the
insect eye. They are produced by the plant at an enormous
physiological expense; and if their object were not to secure the visits of
insects, they would be just so much dead loss to the species. Nor
is it only once that these coloured corollas have been developed.
They occur, quite independently, in both great divisions of flowering
plants, the monocotyledons and the dicotyledons. This coincidence
could hardly have happened had it not been for that original
tendency which we already noticed for pink, scarlet, or orange
pigments to appear in the neighbourhood of the floral organs. Nor is
it twice only, in all probability, that flowers have acquired bright
petals through insect visits, but a thousand times over. In almost
every family, insect-fertilised, self-fertilised, and wind-fertilised
species are found side by side, the one with brilliant petals, the others
with small, green, and inconspicuous flowers.
For comparison with the dog-rose, one could not find a better
type than that common little early spring blossom, the dog's mercury.
It is a wind-fertilised flower, and it does not wish to be seen of
insects. Now, this mercury is a very instructive example of a
degenerate green flower. For, apparently, it is descended from an
insect-fertilised ancestor with bright petals; but owing to some special
cause, it has taken once more to the old wasteful habit of tossing its
pollen to the wandering winds. As a consequence it has lost the
bright corolla, and now retains only three green and unnoticeable
perianth-pieces, no doubt the representatives of its original calyx.
Almost equally instructive is the case of the groundsel, though in
this case the process of degradation has not gone quite so far.
Groundsel is a degenerate composite, far gone on the way of
self-fertilisation. No class of flowers have been more highly modified to
suit the visits of insects than the composites. Hundreds of their
tubular bells have been crowded on to a single head, so as to make
the greatest possible attractive display; and in many cases the outer
blossoms of the head, as in the common yellow ragwort, or in the
daisy and the sunflower, have been flattened out into long rays,
which serve as pennants or banners to catch the insect eye. They
are very successful flowers, perhaps the most successful family on the
whole earth. But the groundsel, for some reason of its own, has
reversed the general family policy. It is rarely visited by insects,
and has, therefore, apparently taken once more to self-fertilisation;
and a complete alteration has thus been effected in its appearance,
when compared with its sister composites. Though it has not yet
quite lost its yellow centre blossoms, it has no rays, and its bells are
almost concealed by its large and ugly green involucre.
Altogether, we may say that groundsel is a composite far advanced on
its way to a complete loss of the characteristic composite habits.
It still receives the visits of a very few stray insects; but it does not
lay itself out to court them, and it is, probably, gradually losing more
and more of its winged clients from day to day. Thus we see that
any flower which will benefit by insect-fertilisation, whether it be a
monocotyledon or a dicotyledon, high up or low down in either
series, is almost sure to acquire brilliant petals; while, on the other
hand, any flower which gives up the habit of relying upon insects is
almost sure to lose or minimise its petals once more, and return to
a state resembling in general type the catkins and grasses or the
still lowlier self-fertilised types.
The same sort of conclusion is forced upon us if we look at the
various organs in each flower which display the brilliant pigments.
The petals are most commonly the seat of the attractive coloration,
as in the dog-rose and the marsh-mallow. But in many other flowers,
like the fuchsia, the calyx is also beautifully coloured, so as to aid in
the general display. In the tulips and other lilies, the crocus, the
iris, and the daffodil, sepals and petals are all coloured alike. In
marvel-of-Peru and purple clematis, the petals are wholly wanting.
In the common meadow-rue, it is the essential floral organs
themselves which act as allurements; while, in the mesembryanthemums,
the outer stamens become flattened and petal-like, so as to resemble
the corolla of other flowers. In the composites, like daisies, where
many blossoms are crowded on one head, the outer row of blossoms
are often similarly flattened into rays which only serve the purpose of
attracting insects towards the fertile flowers of the centre. Nor does
the colouring process stop at the regular parts of the flower alone:
the neighbouring bracts and leaves are often even more beautifully
tinted than the flowers themselves. In the great white arums, grown
in windows as Ethiopian lilies, the actual blossoms lie right inside
the big sheath or spathe, and cluster round the tall yellow spike
or spadix in the centre: and this sheath acts the part of petals
in the more ordinary flowers. Many euphorbias have very
inconspicuous little blossoms, but each small colony is surrounded by a
scarlet involucre which makes them some of the gayest among our
hot-house plants. The poinsettia, which is so familiar a fashionable
dinner-table plant, bears little yellow flowers which would not of
themselves attract the eyes of insects; but it makes up for this
deficiency by a large surrounding bunch of the richest crimson
leaves, whose gorgeous colouring makes the tree a universal favourite
with tropical bees and butterflies. The lovely bougainvillea carries
the same idea one step further, for its small flowers are enclosed by
three regularly-arranged bracts of a delicate mauve or pink; and
when one sees a tree covered with this magnificent creeper in full
blossom, it forms one of the most glorious masses of colour to be
found in the whole of external nature. Many tropical plants, and
especially those of parasitical habit, are much given to developing
these extra allurements of coloured leaves, and their general effect is
usually one of extreme brilliancy. From all these examples, we can
draw the conclusion that colour does not belong by original nature to
one part of the plant rather than another; but that wherever the
coloured juices which result from oxidation of chlorophyll and its
analogues began to show themselves, in the neighbourhood of the
stamens and pistil, they would attract the attention of insects, and
so grow more and more prominent, through natural selection, from
generation to generation, till they finally attained the present beauty
of the tulip, the rose, the poinsettia, and the bougainvillea.
From this marvellous reaction of the colour-sense in insects upon
the vegetal world, we must next pass on to its reaction upon the hues
of insects themselves. For we probably owe the exquisite wings of
the butterfly and the gorgeous burnished bronze of the rose-beetle to
the very same sense and the very same selective action which has
produced the hues of the lily and the hyacinth. What proofs can be
shown that the colours of insects are thus due to sexual selection?
In the first place, we have the certain fact that bees at least, and
probably other insects, do distinguish and remember colours. Not
only so, but their tendency to follow colour has been strong enough
to produce all the beautiful blossoms of our fields and gardens.
Moreover, we have seen that while bees, which are flower-haunters,
are guided greatly by colour, wasps, which are omnivorous, are
guided to a less extent, and ants, which are very miscellaneous
feeders, not at all. It may be objected that insects do not care for
the colour apart from the amount of honey; but Mr. Anderson
noticed that when the corollas of certain flowers had been cut away,
the insects never discovered or visited the flowers; and Mr. Darwin
lopped off the big lower petals of several lobelia blossoms, and
found that the bees never noticed them, though they constantly
visited the neighbouring flowers. On the other hand, many
bright-coloured bells have no honey, but merely make a great show for
nothing, and so deceive insects into paying them a call on the
delusive expectation that they will be asked to stay to dinner. Some
very unprincipled flowers, like the huge Sumatran rafflesia, thus take
in the carrion flies, by resembling in smell and appearance a piece of
decaying meat. Moreover, certain insects show a preference for
certain special flowers over others. One may watch for hours the
visits paid by a bee or a butterfly to several dozens of one flower, say
a purple lamium, in succession, passing by unnoticed the white or
yellow blossoms which intervene between them. Fritz Müller
mentions an interesting case of a lantana, which is yellow on the first
day, orange on the second, and purple on the third. "This plant,"
he says, "is visited by various butterflies. As far as I have seen, the
purple blossoms are never touched. Some species inserted their
probosces both into yellow and into orange flowers; others, as far as
I have observed, exclusively into the yellow flowers of the first day."
Mr. T. D. Lilly, an American naturalist, observed that the coloured
petunias and morning-glories in his garden were torn to pieces by
bees and butterflies in getting at the honey, while the white or pale
ones were never visited. These are only a few sample cases out of
hundreds, in which various observers have noted the preference
shown by insects for blossoms of a special colour.
Again, we may ask, Do different species of insects show different
degrees of æsthetic taste? The late Dr. Hermann Müller, who
specially devoted himself to the relations between insects and flowers,
showed most conclusively that they do. The butterflies, which are at
once the most locomotive and the most beautiful of their class, appear
to require larger masses of colour for their attraction than any other
group; and the flowers which depend upon them for fertilisation are,
in consequence, exceptionally large and brilliant. Müller attributes
to this cause the well-known beauty of Alpine flowers, because bees
and flies are comparatively rare among the higher Alps, while
butterflies, which rise to greater elevations in the air, are comparatively
common; and he has shown that, in many cases, where a lowland
flower is adapted for fertilization by bees, and has a small or
inconspicuous blossom, its Alpine congener has been modified so as to be
suited for fertilisation by butterflies, and has, therefore, brilliant
bunches of crimson or purple blossoms. In his last work, he shows
that, while bees form as many as 75 per cent. of the insects visiting
the beautiful and attractive composites, they form only 14 per cent.
of those which visit the plain green and white umbellates, like the
wild carrot and fool's parsley. Butterflies frequently visit the
composites, but almost never the umbellates, which last depend mainly
upon the smaller flies and other like insects. Of two small hedge
flowers, Galium mollugo and G. verum, Müller notes that they agree
closely in other points, but the first is white, while the second is
yellow, which, he says, renders it more attractive to small beetles. Of
certain other flowers, which lay themselves out to attract wasps,
Müller quaintly observes that they are obviously adapted "to a
less æsthetically cultivated circle of acquaintances." So that the
close studies of this accurate and painstaking naturalist led him to
the conclusion that insects differ greatly from one another in their
taste for colour. Probably we shall be right if we say that the most
æsthetic among them all are the butterflies, and next the bees
these two classes having undergone the most profound modifications in
adaptation to their flower-haunting life and that the carrion flies
and wasps bring up the rear.
Is there any evidence, however, that insects ever notice colour in
anything else but flowers? Do they notice it in their own mates,
and use it as a means of recognition? Apparently they do, for Mr.
Doubleday informed Mr. Darwin that white butterflies often fly down
to pieces of white paper on the ground, mistaking them doubtless for
others of their species. So, too, Mr. Collingwood notes that a red
butterfly, let us say, nailed to a twig, will attract other red butterflies
of the same kind, or a yellow one its yellow congeners. When many
butterflies of allied species inhabit the same district, it often happens.
that the various kinds undergo remarkable variation in their colouring
so as to be readily recognisable by their own mates. Again, Mr.
Patterson noticed that certain blue dragon-flies settled in numbers
on the blue float of a fishing-line; whilst two other species were
attracted by shining white colours. On the whole, it seems probable
that all insects possessing the colour-sense, possess also a certain
æsthetic taste for colours.
Indeed, it is difficult to see how it could be otherwise. Whenever
an animal exercises a faculty much, the exercise comes to have
pleasant feelings attached to it; and this is especially the case with
all sense-organs. Creatures which live on honey love sweet things:
carnivores delight in the taste of blood. Singing birds listen with
interest to musical notes: and even insects will chirp in response to
a chirp like their own. So, creatures which pass all their lives in
the search for bright flowers must almost inevitably come to feel
pleasure in the perception of brilliant colours. This is not, as so many
people seem to think, a question of relative intellectual organisation: it
is a mere question of the presence or absence of certain sense-centres.
But it may finally be urged that even though insects recognise
and admire colours in the mass, they would not notice such minute
and delicate patterns as those on their own wings. Let us see what
evidence we can collect on this head. First of all, insects have not
only produced the petals of flowers, but also the special markings of
those petals. Now these markings, as Sprengel pointed out a
century since, bear a constant reference to the position of the honey,
and are in fact regular honey-guides. If one examines any flower
with such marks upon the petals, it will be found that they converge
in the direction of the nectaries, and show the bee or butterfly
whereabouts he may look for his dinner. Accordingly, they must have
been developed by the gradual action of insects in fertilising most
frequently those flowers which offered them the easiest indication of
where to go for food. Unless insects noticed them, nay more,
noticed them closely and accurately, they could never have grown
to their present definite correlation with the nectary, a correlation
which, Mr. Darwin says, first convinced him of the reality of their
function. "I did not realize the importance of these guiding marks,"
says Sir John Lubbock, "until, by experiments on bees, I saw how
much time they lose if honey which is put out for them is
moved even slightly from its usual place." In short, insects, like men,
are creatures of habit. How complicated these marks sometimes
become, we can see in most orchids.
Again, the attention insects pay to comparatively small details of
colour and form is clear enough from the mimicry which sometimes
occurs amongst them. In some instances, the mimicry is intended
to deceive the eyes of higher animals, such as birds or lizards, and
can therefore prove nothing with regard to the senses of the insects
themselves. But in a few cases, the disguise is adopted for the
sake of deceiving other insects; and the closeness of the
resemblance may be accepted as good evidence of acute vision in the class
so mimicked. Thus, several species of flies live as social parasites
among the hives or nests of bees. These flies have acquired belts
of colour and patches of hair, closely imitating the hosts whose honey
they steal; while their larvæ have even the ingratitude to devour the
larvæ of the bees themselves. Of course, any fly who entered a bee-hive could only escape detection and condign punishment at the
hands or rather at the stings of its inhabitants, provided it looked
so like the householders as to be mistaken by them for one of the
community. So any fly which showed at first any resemblance
to a bee would for a while be enabled to rob with impunity but as
time went on, the bees would begin to perceive the true nature of the
intruders, and would kill all those which could be readily
distinguished. Thus, only the most bee-like flies would finally survive;
and the extent to which the mimicry was carried would be a rough
test of the perceptive powers of the bees. Now, in these particular
cases, the resemblance is so close that it would take in, not only an
unpractised human observer, but even for a moment the entomologist
himself. Similar instances occur amongst mantidæ and crickets.
And now let us apply these facts to the consideration of the
problem before us. If those insects which especially haunt flowers
are likely to have so acquired a colour-sense, and a taste for colours;
and if they are capable of observing minute markings, bands, or
eye-like spots; then we might naturally infer that they would exhibit a
preference for the most beautifully coloured and variously ornamented
of their own mates. Such a preference, long continued and handed
down to after generations, would finally result in the development of
very beautiful and varied colours among the flower-haunting species.
We might expect, therefore, to find the most exquisite insects amongst
those races which are most fully adapted to a diet of honey and
pollen; and such I believe to be actually the case.
Before proceeding further, precautions should be taken against a
misconception which has already occurred in this connection. It is
not meant that bright colours will be found only amongst
flower-haunters; for it may easily happen that in a few instances other
causes may conspire to produce brilliant hues. Nor is it meant that
all flower-haunters are necessarily brilliant; for it may also happen
that some special need of protection will occasionally keep down the
production of conspicuous tints. But what is meant is that brilliant
colours are found with very exceptional frequency amongst the
specially flower-haunting animals.
Butterflies are the order of insects which require the largest mass of
colour to attract them, and which seem to possess the highest æsthetic
sensibility. It is hardly necessary to say that butterflies are also the
most beautiful of all insects; and are, moreover, noticeable for the
most highly developed ornamental adjuncts. Those butterflies make
the best matches in their world of fashion which have the brightest
crimson on their wings or the most exquisite gloss in their changeful
golden scales. With us, an eligible young man is too often a young
man with a handsome estate in the country, and with no other
attractions mental or physical. Amongst insects, which have no
estates, an eligible young butterfly is one with a peculiarly deep and
rich orange band upon the tip of his wings. Thus the cumulative
proof of the aesthetic superiority of butterflies seems well-nigh
complete.
If we examine the lepidoptera or butterfly order in detail, we shall
find some striking conclusions of the same sort forced upon us. The
lepidoptera are divided into two great groups, the moths and the
butterflies. Now, the moths fly about in the dusk or late at night;
the flowers which attract them are pale, lacking in brilliancy, and,
above all, destitute of honey-guides in the shape of lines or spots;
and the insects themselves are generally dark and dingy in
coloration. Whenever they possess any beauty of colour, it takes
the form of silvery scales which reflect what little light there may be
in the grey gloaming. The butterflies, on the other hand, fly by day,
and display, as we know, the most beautiful colours of all insects.
Here we must once more recall that difference between the structure
of the eye in nocturnal and diurnal species which Mr. Lowne has
pointed out. Nor is this all. While most moths are night-fliers,
there are a few tropical genera which have taken to the same open
daylight existence as the butterflies. In these cases, the moths,
unlike their nocturnal congeners, are clad in the most gorgeous
possible mixtures of brilliant metallic colours.
Other instances of like kind occur in other orders. Thus, among
the beetles, there is one family, the rose-chafers, which has been
specialised for flower-haunting; and these are conspicuous for the
beauty of their colouring, including a vast number of the most brilliant
exotic species. Their allies, the common cock-chafers, however, which
are not specialised in the same manner, are mere black and inconspicuous
insects. So among the flies: most of the omnivorous families are
dull and ugly; but several of the flower-haunting tribes are adorned
with brilliant colours, and live upon honey. In fact, an immense
majority of the brightest insects are honey-suckers, and seem to
have derived their taste for beautiful hues from the nature of the
objects among which they seek their food.
There is one striking and obvious exception, however, which has
doubtless already suggested itself to the minds of readers. I mean the
bees. These are the most flower-loving of all insects, and yet they
are comparatively plain in their coloration. We must remember,
however, that the peculiar nature of the commonwealth amongst the
social bees prevents the free action of the selective preference by
which we account for the brilliancy of all other flower-haunting
species. The queen or mother bee is a prisoner for life; her
Majesty's domestic arrangements are all made for her by the state;
she does not herself seek honey among flowers, and those bees which
do so have no power of transmitting their tastes to descendants, as
they live and die mere household drudges. On the other hand, the
solitary bees are in many cases exquisitely coloured, as we might
expect from their power of free choice; and one flower-haunting
family of the same order, the Chrysidæ, are aptly compared to the
humming-birds in the richness of their colouring.
One more peculiarity of great interest must also be noted. It
appears that many insects have two sets of colours, seemingly for
different purposes; the one set protective from the attacks of
enemies, the other set attractive to their own mates. Thus several
butterflies have the lower side of their wings coloured like the leaves
or bark on which they rest, while the upper sides are rich with crimson,
orange, and gold, which gleam in the bright sunlight as they flit
about among their fellows. Butterflies, of course, fold their wings with
the under side outward. On the other hand, moths, which fold their
wings in the opposite manner, often have their upper surfaces imitative
or protective, while the lower sides are bright and beautiful. One
Malayan butterfly, the Kallima paralecta, has wings of purple and
orange above, but it exactly mimics dead foliage when its vans are
folded; and, as it always rests amongst dry leaves, it can hardly be
distinguished from them, as it is even apparently spotted with small
fungi. In these and many other cases one cannot help believing
that while imitative colouring has been acquired for protective
purposes, the bright hues of the concealed portion must be similarly
useful to the insect as a personal decoration.
It would seem, then, that we owe half the loveliest objects in our
modern world to the insect colour-sense. It is the bee and the
butterfly which have given us the gorgeous orchids and massive
creepers of the tropics, the gentians and rhododendrons of the Alps,
the camellias and heathers of our conservatories, the may and
primroses of our English meadows. To the same primitive taste, exerted
in a slightly different direction, are due the gilded wings of
Brazilian moths, and the exquisite tints of our own ruby or
sapphire-coloured summer insects. The beauty and the glory of the world
are not for the eyes of man alone; they appeal equally to the bee
and the butterfly, to the bird and the child. To some people it
strangely seems a nobler belief that one animal only out of all the
earth enjoys and appreciates this perpetual pageant of natural
loveliness; to me it appears, on the contrary, a prettier and more modest
creed, as well as a truer one, that in those higher and purer delights
we are but participants with the vast mass of our humbler dumb
fellow-creatures.
GRANT ALLEN.
(THE END)